ARCHIVED ARTICLES

Performance and Posing, Part Two

Briana is back with Part Two of the Posing and Performance Column. Be sure to read her first columns and be looking for more as she helps photographers and models work together to create exciting imagery. Also be sure to check out the Lighting Essentials Magazine for...

read more

Make Your Own Reality to Add Drama

There are times when the light you have doesn't match the light you want. The drama of moody skies are rendered useless if they are overexposed and the muddy, dark skin tones of heavily overcast days can make the most competent Photoshop Guru moan in agony. What to...

read more

Shooting Food On Location – With a Twist

My client called and needed a job turned around right away. Her client needed their entire menu shot for some collateral and web materials and the previous shooter had not been able to do what they needed. The images had to be attractive enough for menu use, arty...

read more

Performance Over Posing: Part One

It’s Second Nature: Now, for me, performance is second nature. It’s at the roots of my craft and my nature. Now, it’s not always a good performance. Sometimes it’s downright cheesy, but… it’s often different than what others expect. (A few photogs out...

read more

Lighting Essentials July Desktop Calendars

Here are two new desktop calendars for you. A sporting model out to set the land speed record, and Briana in the tropics on a mysteriously dark evening. Either one you choose, your July calendars are more fun with Lighting Essentials. More content to follow quickly,...

read more

Muse or Inspiration: The Model’s Role (Pt2)

Muse in the Studio - A Brief “How to” Guide:(part two of two parts) Okay, enough philosophy, let’s make this simple. Here are a few things I “feel” when I’m modeling. Yes, “feel.” I don’t go and think about these steps when I’m modeling… I just...

read more

Muse and Inspiration: The Model’s Role

A Two Part Article By Briana Shaker Part I What is a muse? The romantic poets knew. The ancient Greeks did as well. Now it's time for models and photographers alike to learn. Quite simply, the muse is she (or he) for whom the artist creates or in whom the artist finds...

read more

The Rigorous World of Macro Beauty Shots

Coming in this close can be a nightmare for the unsuspecting. Makeup must be perfect, hair perfect, every nuance of light has to fall to give the feeling of fresh and natural. And the skills in the toolset must be honed very tightly. It goes without saying that...

read more

Hey, We Got Freebies Too!

Yes... we got free stuff. Who can't use a great desktop calendar? And when it features a lovely model like Briana, you can't go wrong. We have two June, 2008 calendars available in many desktop sizes. I will also give a lighting tutorial for each of the images after...

read more

Natural Light Headshots: Keeping it Simple

In Mexico we had wonderful white Casitas to stay in courtesy of the Las Palmas Resort. They provided some remarkable shooting areas as well as natural light bouncing off all the white walls and railings. I personally love natural light for all kinds of portraiture,...

read more

Dramatic Backlight on a Sunny Day

At the Mexico workshop we decided to do some morning shots on the Beach. Precilla and Jazmin wanted to do this hat shot and I thought it would be fun to use the dramatic sky as a compositional element. I had left my meter back at the casa and didn't want to walk back...

read more

Even If the Sun Don’t Shine…

We were out the door fairly early, and the sky was slightly overcast. Briana had wanted to do this shot for the entire Florida trip and here it was the last day. I really wanted to get it for her. The sun didn't have any plans on cooperating though. I wanted the...

read more

Using Light to Create Drama On Location

Briana and I were stuck in a small, hot and very mundane room while the thunderstorm unleashed lightning and torrential rain all over Anna Maria, Florida. She playfully challenged me to do a shot in the space that was, well, simply awful. I looked at the set she...

read more

One Flash and One Fill Card on Location

Getting really nice, soft light on location can be a challenge. Too often photographers use their naked flashes for fill and end up with something more harsh than they expected. Using a flash to fill in ambient light can be far more subtle and rewarding. For this shot...

read more

Welcome to April: A March Review

March was a tough month for us as we moved the site from a traditional web site to a WordPress backend. We are starting to feel pretty good about it. It meant a loss of visitors for a few days and we lost our statistics for 4 days, but it is obvious we have reached...

read more

One Light Portrait with White Background

One of my clients is a wig importer for Irish Step Dancers. There's a niche for you. I shoot a couple of times a year for her. In this case we are shooting some styles she wanted to update before setting up her online store (another of my projects...) and we used her...

read more

Two Light Workshop One, Part Four

Our last shot in the hat series. This was a shot that used one light for a background and the other for a dramatic front light. The two lights we used in this set are a Norman Beauty Dish and a silver/white Zebra umbrella. The beauty dish was used as a background. I...

read more