SUMMER SCHOOL 2019 CLASS TWO
LESSONS FROM THE ARCHIVESSUMMER SCHOOL 2019 CLASS TWO
While putting the Lighting Book together (free for subscribers to “In The Frame”) I found some tech sheets and thought I may share them here. Some of these techniques are of an older style, but the information is spot on and you can modify the tools to get something YOU want.
Light is light – and there is over 100 pages of ideas and info in the book.
Now to the Tech Sheets I found.
First up is a tech sheet for doing a beautifully lit headshot with a spray light.
Click on image and “save link as” to download the JPG.
Next up is shooting with a small flash to create some flare.
Click on image and “save link as” to download the JPG.
This tech sheet covers shooting with a hard light and blending ambient exposure.
Click on image and “save link as” to download the JPG.
DECONSTRUCTING AN IMAGE
(speedlights and sun)
This is a PDF on using small flashes to create your own light in full sun.
This is a PDF file, so click and save to your computer.
DECONSTRUCTING AN IMAGE
(speedlights for a natural look)
This is a PDF on using small flashes to create a natural light feel to a portrait
This is a PDF file, so click and save to your computer.
DECONSTRUCING AN IMAGE
(speedlights on location)
This tutorial is on using small strobes to light up subjects in the desert.
This a PDF file, so click and save to your computer.
Minimalist Shooting
Sometimes we get too caught up in having the latest and greatest and forget that the at the core a lens and a camera are what we use to create images. I refer to it as minimalist shooting, and I do it occasionally to bring me closer to the base... find my center, so...
Simple, Yet Dramatic Light for Headshots and Portraits
This is what I refer to as my "Classic Glamour" light. Single light, with large umbrella, shiny fill card and two large fill cards close in on both sides. I can control the fill by moving the shiny card up and down. In this shot it is right out of frame. I keep the...
Single Light Fashion
This is a single light approach with a large softbox. I chose the large box because of the incredible texture of the dress. I wanted a nearly liquid look to the fabric and the large surface of the box would reflect nicely on it. The box spilled too much light on the...
FOR THE WHOLE SELECTION OF “SUMMER SCHOOL” CLASSES FROM THE PREVIOUS YEARS, CLICK HERE.