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One Light Portrait with White Background
One of my clients is a wig importer for Irish Step Dancers. There's a niche for you. I shoot a couple of times a year for her. In this case we are shooting some styles she wanted to update before setting up her online store (another of my projects...) and we used her...
Two Light Workshop One, Part Four
Our last shot in the hat series. This was a shot that used one light for a background and the other for a dramatic front light. The two lights we used in this set are a Norman Beauty Dish and a silver/white Zebra umbrella. The beauty dish was used as a background. I...
Classic Setup for Photographing Jewelry
Classic, for me anyway, method that I shoot jewelry. Most of the time my clients want clean, easy to see pieces that show off the finish or the stones. I find that large soft light with lots of fill works to deliver the smooth highlights and well lit jewels. You can...
Single Umbrella Headshot and White Background.
Asked to shoot 40 non-models at an upscale salon was quite a challenge. I needed a light that would serve many different faces and body types. I would literally have only a few minutes with each and they would be nervous so working the light in many different ways was...
Two Light Workshop One, Part Three
This shot was something Briana wanted to do. We have tried to shoot the fedora many times and never gotten around to it. This time we wanted to make a go of it. She wore faded, ripped jeans, a black top, black hat and black gloves. With the red lips it was really...
Getting A White Background with Speedlights
Using your small camera flash for professional results is entirely possible and a fantastic option for those who travel a lot or want quick setup/teardown times. Today's modern flash units give out a lot of power and they are easily adapted to working with a...
Two Light Workshop One, Part Two
The Two Light Workshop rolls on with this cowboy hat look on "Miss Briana." We shot some with a western shirt and some with bare shoulders... both are represented here. One of the things I wanted to do was to create a bright light on her face and a quick dropoff. I...
Two Light Workshop One, Part One
This is a series of two light shots we did using hats as the theme, and a clean, simple studio background as the setting. For this set of shots we only used one umbrella and one beauty dish. There will be instructions on how to do this with your equipment as well. I...
Creating a Shiny Look
The thing about the corset was the glossy, shiny look. I wanted that shine to be smooth and liquid, a wide and smooth highlight that would set off the face of the model and the textures of the rest of the image. I wanted a dramatic light on the face however, so using...
Single Small Strobe Portrait Directly Into the Sun
This shot of Megan was done for my portrait book. Megan is a Doctor and an accomplished photographer. I wanted a portrait that would be different than some sort of modeling or professional headshot. This location is near the studio and off the beaten path. It is along...
Creating a Mood with Flash and Photoshop
Sometimes you find a location or a situation that you just know that you can do more with by creating the world the way you want it. In this case, the alley was ok, but it didn't get me excited. I saw the shot in my mind with the post process in place. In other words,...
Announcing the Portland, Maine Workshop
I am very excited to announce that we are doing a workshop in Portland, Maine on Wednesday, June 18, 2008. It will be a full day workshop with models, lunch and lots and lots of lighting and shooting. There will be a pre-workshop meetup on Tuesday, June 17th. I am...