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Style: It’s Not What You Shoot. It’s How You Shoot It.
Creating a Portfolio: What you shoot vs How you shoot what you shoot. Three exercises to sharpen your attention to style. One of the most difficult and challenging things we deal with as photographers is style. It is a defining point of our work. It is one of the...
Preparing Yourself for “Getting Out There” as a Professional Photographer
(This is part one of a continuing series on starting out in the world of commercial photography. I am a commercial photographer, not a wedding shooter, but most things would be similar in that genre as well. ) Even in these uncertain times, there are those intrepid...
Still Life Shot for an Magazine Ad
Well, my Volleyball client needed a new ad. That's great. We needed it to be concepted, shot, and produced in one day. A day that had me doing other things as well. Stressful? A little, but I have been at this game long enough to know that it will get done. It always...
Grant Lovett: Fashion and Music Photographer in Nashville – an Interview
Working in Nashville means music, fashion, celebrities and more. And Grant Lovett is in the middle of it. A soft-spoken shooter with a deep portfolio, Grant keeps the bills paid with shoots of musicians and fashion models. We have an interview with him that you will...
40 Portraits from the Forum
We are back with another post from the Forum. 40 portraits and a few extras. 40 wonderful portraits with some interesting lighting, concepts and presentation. I am in Omaha today for the second day of the workshop. Looks like we may have a weather challenge. But,...
Adding Texture to a Portrait for Added Drama
We haven't done a lot of Photoshop tutorials on LE, but I plan on doing more. The amount of requests I have been getting tell me that there is a lot of interest. And we will be responding. This tutorial shows you a simple way to add a texture to an image. As with...
Interview with Kirk Tuck, Austin Photographer and Writer
This post we get a glimpse into the working world of a commercial photographer. Sometimes referred to as a generalist, a commercial photographer must be able to handle a lot of different idioms when working in a smaller market. Portraits, fashion, still life, food,...
Strobe and Ambient: Finding the Mix for Portraiture
I get asked a lot about how my methodology works. What am I thinking about when setting the light? How do I know what the settings should be. For this post I have pulled some shots from last years workshop tour. I will explain the exposure planning as we go along....
Creating a Dramatic Dance Shot with a Speedlight and the Sun
I thought I would break down another shot I did that involved pre-visualization, overcoming a challenge and using small lights for a big light look. The shot was for a dance Calendar for Briana. In the calendar images she presents 12 different types and styles of...
Creating an Ad From Layout: Shooting for Print
This post looks at creating an ad from a very simple layout. The client, Dimensional Software in Palo Alto, CA, needed to have an ad produced in nearly no time. An opening in a magazine came up last minute and a fax was sent to me with a sketch of the ad that we had...
Interview with Steve Korn, Seattle Photographer
This weekend's interview is with Steve Korn, a photographer and musician living in Seattle. I think you will find his work and his words interesting. Being a creative person in music and photography can bring a different perspective to things. Steve presents his work...
Thinking about Portraits: 6 Studies in Beauty
This post is about portrait lighting and some of the things I think about when shooting a portrait... whether in the studio or on location. The shot above was done in Mexico at the Workshop in April. Christine had been walking with me and when she turned to talk to me...