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One Umbrella on Location
I am a Photoshop guy who is finding a lot of love in Lightroom. I would say that about 80% of my work goes from LR (or CR) into Photoshop for finishing. But the other 20% is done totally in Lightroom. Briana and I did this shoot last year for some new portfolio...
“Twenty Four Frames In May”
The Project 52 members were tasked with shooting something different: 24 frames of film - and making every image count. This is a very exciting time with digital instantaneousness... but something can be said about taking one's time to make an image. Limiting the work...
Extensive Post Production with Tomas Jansson
From Project 52 member, Tomas Jansson. An extensive retouch/edit on a fantastic food shot. ALL THE TUTORIALS DURING "SUMMER SCHOOL" ARE BY PROJECT 52 PRO MEMBERS EITHER CURRENTLY ENROLLED OR ALUMNI. Thanks Tomas!
Go Beyond Full Frame Without Selling The Farm: Shane Ernest
Going Beyond Full Frame Without Selling The Farm. In this tutorial, I’ll share my reasoning for going beyond full-frame, a few reasons why you shouldn’t, and some simple steps I use to create images that match your vision. While there are huge differences between a...
Post Production (Retouching) of Wardrobe: with Don Fadel
See more of Don Fadel's work at his website.
Fitness Model on Location with Hiram Chee
I was aiming for a clean catalog feel. We shot this image at high noon in a football field. I used an Einstein F13 in a Softlighter without the sock for fill. I also used a -3f stop ND filter on my 85mm F1.8 to get the blue sky and blurred background. I was shooting...
Jamie in a Kimono, Omaha. Lightroom and Photoshop
Here is a look at my processes. From Lightroom to Photoshop to finished image. These are the simple steps that I use nearly every time. I hope you enjoy it. ALL THE TUTORIALS DURING "SUMMER SCHOOL" ARE BY PROJECT 52 PRO MEMBERS EITHER CURRENTLY ENROLLED OR ALUMNI - or...
Hey… It’s Me. Being Somewhat Controversial… or Not – if you know me.
Creating a Grid Effect in Photoshop with Luxkala
See more of Luxkala's work at his website. ALL THE TUTORIALS DURING "SUMMER SCHOOL" ARE BY PROJECT 52 PRO MEMBERS EITHER CURRENTLY ENROLLED OR ALUMNI.
Don’t Be Afraid of ‘Systems’
As a commercial photographer I know a lot about how to make things happen. In fact, being a commercial photographer is a lot of 'solutions... NOW' sort of life. The locations are too small or too large. Too many lights or not enough. Always need another stand or...
“Photographing Pills” with Alicia Bonterre
The assignment was to photograph some pills and bottle for a drop in to another shot. Parameters for the shot? White background…..that’s it. My thought process for this shot was how can I make this even a little bit interesting What type of shadows do I want and What...
Available Light / Available Tools; with David Price
I wanted to side-light this artisan's hands to highlight the texture both in her hands, as well as the fabric. She was making a set of custom gloves to honor my wife for her many years of service to living history re-enactments. I did not have a lot of equipment with...