Have You Considered the “Arc of Beauty” in your lighting?

(Image by Tracy Sutherland)

We are going to take a high-level view of lighting today and discuss what I call the “Arc of Beauty“. And while no lighting scheme is going to be directly discussed, what we are to think about is a general tone of the light and what it does.

The “Arc of Beauty“

The arc also extends vertically from lower than the subject to directly over top (also a ‘side light’ in angle from the camera.

From a full on back light oblique to the camera to top down light from above, the arc is also a vertical tool that can help with dimension, texture, color definition and more.

Why do I start here?

Because the tendency of front lighting is to make things flat. Dimension falls away, shadows fall away, and the overall texture is diminished as well.

Here are two shots to show you how it works from a small, intimate image to a large scene.

Shot on Canon 6D / 24-105 MM at 30 MM. The back light gives texture to the sand, the wall and the sidewalk. It also creates a much more interesting set of shadows and shapes. Dimension and texture.

Lisa Narduzzi chose a large soft light to bring out the texture and shape of her farm fresh beets.

Soh Fong chose a diffused side light for her bananas in a corner of a small box.

Are there exceptions?

Absolutely. Shiny objects, liquid, situations where you WANT a flatter, less textural light. Of course there are exceptions and there are also some very talented photographers out there who choose front lighting as a stylistic difference for their work. They make killer images because they have worked with the technique long enough to know where and how to absolutely use it.

However that might be, we are talking about the bulk of our shooting approaches here.

To see it for your own self, set up something as a still life and move your softbox all around it as you make the photographs. You may have to add a little fill to the front (large white card perhaps) but shoot one with side light, back light, side/back light, low back light, high overhead backlight.

And shoot some with the light up front.

I believe you will see the difference and may help you think about your light in a bit of a different way.

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