Style Week on Lighting Essentials – Day Four; Ivar
Style Week Posts:
Selina Maitreya Day One
Daron Shade Day Two
Christian O’Dell Day Three
Ivar Teunissen
Kirk Tuck Day Five
Point of View is a defining piece of a photographer’s style. Where is the camera in relationship to the subject? It can be confrontational and direct, low and obscure, or simply a ‘static’ device there to render a moment.
Lens choice can make a huge difference as well. From the expanded spatial associations of a wide angle lens to the distance compression of super telephotos, the choice of lens is usually a stylistic one.
Look at these photographers and notice the lens choices they make. Remember we are looking only at lens choice:
Dave Hill
Earnst Haas
Jay Maisel
Noticing the lens choice of a photographer can tell you a bit about their style.
Assignment:
Choose three of your images where the lens choice is particularly noticeable… a very long telephoto or a wide angle shot.
Ask yourself why you chose that lens. The compression of space can create a different emotional charge than a very closeup shot with a wide angle. Isolation is prominent in both lens choices, but it has a much different way of presenting it. Isolating with a wide angle has so much more environment to be set off against, while the compression isolates subject from background with a different feeling of relationship. Add to the telephoto some shallow Depth of Field and we have a much different shot.
What were your reasons for the lens choice? Was it to isolate or include? Separate or distinguish? Think about which ones you like the most.
Personally I like wide angles for the isolation and environmental inclusion and I love the compressed space of a telephoto… the ability of the lens to ‘flatten’ subjects into nearly a two dimensional plane. And the lens I will probably never buy is the 24-70MM – I am simply not interested in that range at all. Yes, I have a fast 50 for those times when I need it, but usually a 20-35 and a 70-200 is all I need. Stylistically that is… as a commercial photographer there are times you are choosing the correct lens for the project at hand.
Now let’s talk to Ivar Teunissen (@iamivar), an emerging photographer in the Netherlands. I met Ivar through Twitter and he graciously arranged a time to chat… it was noon30 where I was, and very late where he was. Here is the Audio Clip, and below are some of Ivar’s images.
Thanks. If you follow me on twitter, you know that I am traveling this week. I do hope you all are having a great week. Workshop information is at Learn to Light… see you next time.
Related Posts:
Comments Closed
Trackbacks/Pingbacks
- Style Week on Lighting Essentials – Day Three; Christian | LIGHTING ESSENTIALS For Photographers - [...] Week Posts: Selina Maitreya Day One Daron Shade Day Two Christian O’Dell Day Three Ivar Teunissen Kirk Tuck Day ...














Glad you dropped by. This is my love and my muse. We talk about photography here, as well as the folks who make images. I am very focused on commercial and fine art photography, and we don't really spend all that much time on weddings and such. I have written 5 books - two I give away here, and two are for sale at Amazon, and the 5th one is being edited and designed right now! Thanks for visiting, leave a comment or join me the social networks...
An interesting note about lens choice, your 20-35 on your APS-C camera is equivalent to a 32-56 on a 35mm. Have you ever considered a 10-22 or something wider than the 20 or if you were shooting a 35mm DSLR would you then consider buying a 24-70 if you didn’t already have the 20-35?
I’ve got the 24-70 on my 5D and love it, but it would be a totally different lens on a crop camera.
Whenever I refer to lenses it is the framework of a full frame camera. Yes, I do have a wider one for the crop sensor.
Don,
Your blog work of late has been fantastic! Thanks for all the help you offer us not-yet-pro guys. Enjoyed your Winder, GA workshop.
This series is fabulous! Thanks!
Thanks for sharing about great photographers. Its really helping .