REALLY GREAT WORK from our second assignment (2) free Tabletop Workshop for those who are not able to get out and do things. And for those of you who are, but just want to up your skills.
Here are the top ten images this week:
Interview with Kirk Tuck, Austin Photographer and Writer
This post we get a glimpse into the working world of a commercial photographer. Sometimes referred to as a generalist, a commercial photographer must be able to handle a lot of different idioms when working in a smaller market. Portraits, fashion, still life, food,...
Strobe and Ambient: Finding the Mix for Portraiture
I get asked a lot about how my methodology works. What am I thinking about when setting the light? How do I know what the settings should be. For this post I have pulled some shots from last years workshop tour. I will explain the exposure planning as we go along....
Creating a Dramatic Dance Shot with a Speedlight and the Sun
I thought I would break down another shot I did that involved pre-visualization, overcoming a challenge and using small lights for a big light look. The shot was for a dance Calendar for Briana. In the calendar images she presents 12 different types and styles of...
Creating an Ad From Layout: Shooting for Print
This post looks at creating an ad from a very simple layout. The client, Dimensional Software in Palo Alto, CA, needed to have an ad produced in nearly no time. An opening in a magazine came up last minute and a fax was sent to me with a sketch of the ad that we had...
Interview with Steve Korn, Seattle Photographer
This weekend's interview is with Steve Korn, a photographer and musician living in Seattle. I think you will find his work and his words interesting. Being a creative person in music and photography can bring a different perspective to things. Steve presents his work...
Thinking about Portraits: 6 Studies in Beauty
This post is about portrait lighting and some of the things I think about when shooting a portrait... whether in the studio or on location. The shot above was done in Mexico at the Workshop in April. Christine had been walking with me and when she turned to talk to me...









