SUMMER SCHOOL 2019 CLASS TWO
LESSONS FROM THE ARCHIVESSUMMER SCHOOL 2019 CLASS TWO
While putting the Lighting Book together (free for subscribers to “In The Frame”) I found some tech sheets and thought I may share them here. Some of these techniques are of an older style, but the information is spot on and you can modify the tools to get something YOU want.
Light is light – and there is over 100 pages of ideas and info in the book.
Now to the Tech Sheets I found.
First up is a tech sheet for doing a beautifully lit headshot with a spray light.
Click on image and “save link as” to download the JPG.
Next up is shooting with a small flash to create some flare.
Click on image and “save link as” to download the JPG.
DECONSTRUCTING AN IMAGE
(speedlights and sun)
This is a PDF on using small flashes to create your own light in full sun.
This is a PDF file, so click and save to your computer.
DECONSTRUCTING AN IMAGE
(speedlights for a natural look)
This is a PDF on using small flashes to create a natural light feel to a portrait
This is a PDF file, so click and save to your computer.
DECONSTRUCING AN IMAGE
(speedlights on location)
This tutorial is on using small strobes to light up subjects in the desert.
This a PDF file, so click and save to your computer.
06: Subject Properties: Part Two
Matte Surfaces These are surfaces that are not as rough as texture, but not smooth either. Skin, cloth, natural leather, finished woods and many food items are examples. Most of what we deal with in our daily lives would fall under the Matte surface example. Matte...
07: Subject Properties: Part Three
Shiny or Glossy surfaces: The third of our major surface efficiencies is glossy or very shiny surfaces. The complete opposite of the textured surface, the glossy surface will record the reflection of the light source absolutely. That means we have to be very careful...
08: Controlling The “Presentation of Light”
Subject Centric Lighting: The Five Areas of Light Presentation Cover image by Project 52 student, Gabriel Alvarez. When the lighting choices we have made are used, the light is 'presented' back to the camera in expected, and controlled ways. There are five parts of...
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