SUMMER SCHOOL 2019 CLASS TWO
LESSONS FROM THE ARCHIVESSUMMER SCHOOL 2019 CLASS TWO
While putting the Lighting Book together (free for subscribers to “In The Frame”) I found some tech sheets and thought I may share them here. Some of these techniques are of an older style, but the information is spot on and you can modify the tools to get something YOU want.
Light is light – and there is over 100 pages of ideas and info in the book.
Now to the Tech Sheets I found.
First up is a tech sheet for doing a beautifully lit headshot with a spray light.
Click on image and “save link as” to download the JPG.
Next up is shooting with a small flash to create some flare.
Click on image and “save link as” to download the JPG.
This tech sheet covers shooting with a hard light and blending ambient exposure.
Click on image and “save link as” to download the JPG.
DECONSTRUCTING AN IMAGE
(speedlights and sun)
This is a PDF on using small flashes to create your own light in full sun.
This is a PDF file, so click and save to your computer.
DECONSTRUCTING AN IMAGE
(speedlights for a natural look)
This is a PDF on using small flashes to create a natural light feel to a portrait
This is a PDF file, so click and save to your computer.
DECONSTRUCING AN IMAGE
(speedlights on location)
This tutorial is on using small strobes to light up subjects in the desert.
This a PDF file, so click and save to your computer.
10 Instagram Photographers You Should Be Following But Aren’t
I love Instagram. I should use it more, but I get so caught up with writing and other things that it sometimes skips my mind. However, I love following good image makers there and I am surprised that some of the fun photographers I follow are not being followed by...
What About Critics?
Should We Listen To Critics or Show Them The Door? Ahhh… the world of the artist. A place where we can nurture our ideas and share our bountiful creativity to others who will accept it into their lives with open arms, and smiles of gratitude. Or… not. There seems to...
Read more“Since clients haven’t held me to the lowest bid, other things factor in such as how the photographer allots the budget. How much money is going into casting, scouting, model-making, travel? What kinds of fees are they looking for? What usage are they including?. The creative call/treatment are very important too. Are they connecting with the art director and how are they approaching the job? Are they (or their agent) flexible regarding any changes in usage or scope? Let’s be honest here, if I like working with their agent I am more likely to recommend them for the job.”
On Preparing a Bid
3) We all know there are many reasons for a photographer not getting a project. Besides the obvious of price or creative, can you share some other reasons that they may not be awarded a project? "Since clients haven’t held me to the lowest bid, other things factor in...
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