LIGHTING BOOK (A COMPILATION OF LE TUTORIALS) FOR SUBSCRIBERS

FREE FOR SUBSCRIBERS TO IN THE FRAME

YOURS FREE WHEN YOU SUBSCRIBE

Lot’s of lighting tutorials with charts, graphics, ideas, examples, and deconstructed images to help you find your own vision using lighting.

Yours free when you subscribe to “In The Frame”.

Also included is the introductory course in finding clients in your area. This course is 2.5 hours long and it will show you how to find clients in your town or city. Even if you are in a rural area, this course will help you find real paying diets.

In The Frame is delivered once or twice a week, with our flagship publication on Sunday. These are full of real information, image deconstructions, links to photographers you should know, and discussions of gear that doesn’t happen in most other publications.

Go on and grab your free lighting book – only available to subscribers of the newsletter – and make some wonderful images.

(Subscriptions are found in the popups or you can visit this page for more info.)

One Light Portraits: A Collection

The assignment was to shoot a portrait with one light. Studio Portrait: Clean background, Simple Light; Forceful, Expressive Portrait Specifics: A very clean portrait shot on a flat field background (wall, seamless, cyc, material, cloth, canvas…) Tightly focused and...

“Here is a photographer that is infinitely patient, and interested in the stubborn core of things. Her images are captured in single exposures of up to half an hour, then painstakingly printed in her darkroom on large format, silver gelatin paper. The methodology is unapologetically old-fashioned, and the results extraordinary powerful.”

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Photographing the Canary Islands.

"Here is a photographer that is infinitely patient, and interested in the stubborn core of things. Her images are captured in single exposures of up to half an hour, then painstakingly printed in her darkroom on large format, silver gelatin paper. The methodology is...

It’s A Numbers Game: Part Two

“The Numbers”: Part Two It’s a numbers game… part two of our series. Find Part One here. Last time we discussed the numbers of getting people to see your work, and how that is so important to build a business. It’s been two weeks since that post. How many of you: 1....

It’s a Numbers Game, Part One

How to Play “The Numbers” Game Part One We have all heard the words, “It’s a numbers game” before. And most of us know what it means. In order to get to a certain level, more attempts than successes must be used. Selling door to door is a numbers game. The more people...

AWESOME Opportunity to be Exploited! Wow!

AWESOME Opportunity to be Exploited! Wow!

Crowdsourcing... that is the new name for spec work, but worse than spec work this involves an outlay by the ones being expected to be used for nothing. FORMER ADVOCATE OF PROFESSIONAL PHOTOGRAPHERS, Photo District News and Rangefinder have decided it is a great idea...

Off Topic Sunday…

Off Topic Sunday…

Been reading a really interesting book this past couple of weeks... lots to digest. "The Power of Visual Storytelling" by Ekaterina Walter and Jessica Gioglio is about how visuals are beginning to dominate not only our news and information channels, but the ways...

What About Critics?

Should We Listen To Critics or Show Them The Door? Ahhh… the world of the artist. A place where we can nurture our ideas and share our bountiful creativity to others who will accept it into their lives with open arms, and smiles of gratitude. Or… not. There seems to...

“Since clients haven’t held me to the lowest bid, other things factor in such as how the photographer allots the budget. How much money is going into casting, scouting, model-making, travel? What kinds of fees are they looking for? What usage are they including?. The creative call/treatment are very important too. Are they connecting with the art director and how are they approaching the job? Are they (or their agent) flexible regarding any changes in usage or scope? Let’s be honest here, if I like working with their agent I am more likely to recommend them for the job.”

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On Preparing a Bid

3) We all know there are many reasons for a photographer not getting a project. Besides the obvious of price or creative, can you share some other reasons that they may not be awarded a project? "Since clients haven’t held me to the lowest bid, other things factor in...