LIGHTING BOOK (A COMPILATION OF LE TUTORIALS) FOR SUBSCRIBERS

FREE FOR SUBSCRIBERS TO IN THE FRAME

YOURS FREE WHEN YOU SUBSCRIBE

Lot’s of lighting tutorials with charts, graphics, ideas, examples, and deconstructed images to help you find your own vision using lighting.

Yours free when you subscribe to “In The Frame”.

Also included is the introductory course in finding clients in your area. This course is 2.5 hours long and it will show you how to find clients in your town or city. Even if you are in a rural area, this course will help you find real paying diets.

In The Frame is delivered once or twice a week, with our flagship publication on Sunday. These are full of real information, image deconstructions, links to photographers you should know, and discussions of gear that doesn’t happen in most other publications.

Go on and grab your free lighting book – only available to subscribers of the newsletter – and make some wonderful images.

(Subscriptions are found in the popups or you can visit this page for more info.)

What About Critics?

Should We Listen To Critics or Show Them The Door? Ahhh… the world of the artist. A place where we can nurture our ideas and share our bountiful creativity to others who will accept it into their lives with open arms, and smiles of gratitude. Or… not. There seems to...

“Since clients haven’t held me to the lowest bid, other things factor in such as how the photographer allots the budget. How much money is going into casting, scouting, model-making, travel? What kinds of fees are they looking for? What usage are they including?. The creative call/treatment are very important too. Are they connecting with the art director and how are they approaching the job? Are they (or their agent) flexible regarding any changes in usage or scope? Let’s be honest here, if I like working with their agent I am more likely to recommend them for the job.”

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On Preparing a Bid

3) We all know there are many reasons for a photographer not getting a project. Besides the obvious of price or creative, can you share some other reasons that they may not be awarded a project? "Since clients haven’t held me to the lowest bid, other things factor in...

From This to That

PHOTOGRAPH BY ALICIA BONTERRE One of the recent assignments at Project 52 PROS was to make the worst photograph they could make. The assignment was designed to make the students think about what makes a good photograph in order to negate that in order to make a...