Keeping Focus and Moving Toward a Post-COVID19 World with Don Giannatti

Keeping Focus and Moving Toward a Post-COVID19 World with Don Giannatti

I am honored to be speaking to the membership of ASMP about my ideas on moving forward away from this “lockdown”. My focus is on what has remained and what has changed and utilizing our vision to help make the transition to what is new.

HERE IS THE REPLAY OF THE WEBINAR:

From the ASMP bulletin:

Don Giannatti has been a commercial photographer for over 50 years. In that time, he has seen many fads, schemes, and ‘strategies’ come and go. But he also has seen and utilized what works, and helps others do that as well. He will always live as a creative, and at this point, he has dedicated much of his energy into the nurturing of those who want to live an extraordinary life as well. 
 
From a commercial photographer to the owner of a large ad agency in Phoenix, Arizona, Don has been working with creative people his entire life. For the past 10 years, he’s helped hundreds of photographers build a more robust business for themselves by discovering what they truly love to do. From online groups to one-on-one mentorships, his goal has always been to challenge the concepts of scarcity and failure with the reality of the big wins available to those who work for them.
 
Don offers no quick fixes, overnight successes, or instant riches. He does offer insight into the myriad ways one can move through this thing called a creative life and come out the other end more powerful, more creative, and stronger than ever. This is the time of the creative. This is our time. Together we can build a future for you and your creativity.
 

Trees, Roots and the Artist (Essay Seven)

by | Aug 14, 2012 |

Photography at its best can be a reflection of the world in ways that we have never been seen before. It is the photographer's vision that makes the image become more than it could have been. But at the heart of the photographer's vision, there is a deep foundation of...

Keith and the Kudzu (Essay Six)

by | Aug 13, 2012 |

Keith was a photographer in Atlanta, Georgia. A dedicated artist and all around fun guy, he nonetheless harbored a deep and unrelenting anger toward the Kudzu that grew all around his studio. (For those unenlightened souls, Kudzu is an Asian plant brought to Georgia...

The Big Camera (Essay Five)

by | Aug 12, 2012 |

My Deardorff is still one my favorite cameras. Starting to shoot Tintype with it, but it is a bit slow going. I don't have the time I need to devote to the learning curve of tintype exposure. I shoot some black and white with it as well, and will be taking a box of...

Pop’s Wallet. (Essay Four)

by | Aug 11, 2012 |

My dad passed in 2000. He lingered on in a kind of a funk for so long, and got a little... well... uncharitable toward the end. When we finally talked him into hospice, he was so thankful for their kindness and really enjoyed his time there. After he passed I was...

Roots. (Essay Three)

by | Aug 10, 2012 |

When I was in my early teens I happened upon some photographs by Weston, Cunningham and Adams. I had been making photographs for a few years. Just casually, no real intent in the work other than to have a keepsake of the place. Many of us start out taking images that...

My First (Real) Camera – Essay 2

by | Aug 9, 2012 |

I am not a camera geek. I don't get into all the machinations of new this and new that. Not a part of my DNA it seems. I tend to find something I like and stick to it as long as it works for me. I watch other cameras with shiny this and awesome that and think "wow,...