SHOOTING STILL LIFE WITH INEXPENSIVE GEAR
SUMMER SCHOOL 2019, CLASS ONESUMMER SCHOOL 2019 CLASS ONE
SHOOTING STILL LIFE WITH INEXPENSIVE GEAR
Class by Barbara Sherman, Flagstaff, Arizona
I don’t own much equipment and no studio so my images are often made by a window in the corner of my bedroom using white and black boards, pieces of reflective paper and anything I can put together for a background and sometimes a single speedlite.

I first set up my background board in front of the window so light was coming over the top and around the sides.(It’s an old fence section cut down to a small size and rubbed with chalk).

For this photo, I wanted to have “sparkly” water while lighting the fruit so added a speedlite bouncing off a white wall and back through a diffuser to the left side. A piece of black construction paper was clamped onto the diffuser to flag the light on the left side of the glass so the highlight would be the size I liked. To add some contrast and eliminate reflections on the right side of the glass, I placed a small black card on the right side of the water jug. Notice the jar is sitting on a large beer mug turned upside down so the spigot is at the right height …Staying cheap here!

I shoot alone most of the time and have found a wireless remote set to a 3-second delay works great. Get in position, hit the remote count to 2 ½, start the action, move your hand quickly out of the way…..REPEAT.

Homemade backgrounds, limited equipment, found space and your imagination and you can shoot anything.
It’s Called Range: Part Two
NOTE: The Mexico Workshop and Houston workshops are just around the corner. If you are interested in attending one of these Two Day Workshops, take a look at the Workshop page. We have room in both workshops and they are going to be amazing. Briana will be going to...
September 08 Desktops from Lighting Essentials
We continue on with our free themes for your desktops. September is a strange month for me. I am getting tired of the heat here by then, and waiting for the cool nights to signal the end of the monsoon. However, we need the rain so I want the monsoon to continue for a...
On Location: Anatomy of a Shoot (with Video)
On location with speedlights, a model and a videographer. A warm, well, mostly warm December day and we are shooting in Tempe, Arizona. I will share the setups with you and also what I was thinking and working with here. Briana is the model, check out her Model...