Studio Lighting - Written by wizwow on Friday, March 21, 2008 4:20 - 2 CommentsSingle Umbrella Headshot and White Background.
The single umbrella has always done well for me in these situations. I use a big 54″ white umbrella with black backing to mitigate spill. In this one umbrella I used a 200 WS strobe so I could get a very large aperture. Limited depth-of-field is the look I was going for, so the images would have a more ‘immediate” or casual look. The seamless was angled toward the light to make sure I got as much as I could without fall-off. The boom held a bright shiny card angled to bounce light down on the models and there was a small, white reflector angled slightly up at the model on her left. It and the umbrella were very, very close for maximum softness. Look into her eyes and you will see both. I also placed a 4×8 sheet of white board on the ground to work on. This kept the dark carpet from adding unwanted shadows under the chin, nose and eyes. See the diagram below. Post-processing included a bit of lightening of the white background, some careful skin retouching and Skin FX plug in for Photoshop which gave the women a glamour look without destroying the sharpness of the hair styles. Sorry, no setup shot on this one.
2 CommentsArt Cofresi Single Umbrella Headshot and White Background. | LIGHTING ESSENTIALS For Photographers… Learn Photographic Lighting with Natural Light, Small Strobes, and Studio Flash Equipment… Leave a Reply |
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Thank you for taking the time to explain your setups. Looking forward to ordering your CD.