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“Cooking With Chili” is the name of the faux cookbook. The assignment was to shoot to the layout. The students did a magnificent job with this, and I want to share the work with you all.
You can see the layout, and it was provided as a layered PSD file to the students. They then shot the concept (brief) and put the image together in Photoshop.
We are now working on a book for the end of the year, and it will be amazing. I will post the book (free PDF or purchase hard copy at Blurb) here when it is ready. Believe me, it will be amazing!
The assignment was to illustrate the phrase: “I Could’a Been a Contender”. Taken from the Marlon Brando movie, “On the Waterfront”, the phrase has been used to mean a lot of similar feelings… not making the cut, not being good enough, or being held back.
The P52 Pros came through with some amazing work.
I want to share them with you here.
To see more work from the Project 52 Pro shooters, visit the site at www.project52pros.com.
Tomas Jansson used a large softbox to camera right, and a white fill card to camera left in this still life.
Rasmus Hald wanted a feeling of sadness and introspection. He used a 15 degree grid spot on the main overhead light, and a 30 degree grid on the face of his subject, dialed down well below the exposure of the hands. This gives the image a powerful, selective feeling of isolation.
Anders Eriksson kept the image very dark, and the mystery quite high. A single medium softbox was used on both half of the images which were then assembled in Photoshop.
David Price wanted a feeling of isolation and sadness, so he used the composition and lighting to achieve a feeling of despair. A single medium softbox from camera left was skillfully blended with the ambient sunlight to present a very cohesive image.
Katherine Gooding used a single small modified flash to make this emotionally heavy image. A fill card to camera right kept a very small amount of detail in his hair on the shadow side, and the light on the rough sweater lets us feel the texture as well as witness the pose of surrender.
David Price also submitted this feeling of loss and despair. A single strobe with a reflector was used high on camera left. The sharpness of the unmodified reflector gives extra detail to the mountain of paperwork that has ‘temporarily we hope’ halted the progress of the subject.
Alicia Bonterre worked with a friend to make this haunting photograph in Trinidad. A single gridded light and intentional underexposure gave a gritty edginess to the image.
Filipe Martins entry also uses a pool of light to emphasize the loss and pain of not being able to cut it on something you love to do.
Adi Talwar used window light and carefully selected exposure. A lovely, moody portrait of his daughter.
Bob Knill’s entry shows the pain of loss with pools of light and shadows telling the story. The subject’s sense of loss is wonderfully played by his model.
A single gridded softbox from camera axis gives a punchy light to this portrait. Bret Reynoso chose the graphic lines of a strongly backlit window shade to be his canvas.
Irene Liebler’s neighbor is a motocross rider and familiar with the pain that riders meet when they lose. Irene used three softboxes to give this portrait emphasis. and the great edgework of the light adds dimension as well.
Julie Clegg chose a single very large softbox in very close for this “contender”. Great direction and a subject willing to ‘emote’ gives us this strong portrait.
A sense of loss and a style reminiscent of ‘film-noire’ was the impetus for this image by Girish Basavar. Using a hallway and a beauty dish, he was able to make this image of high emotion. Grid spots from left and right behind added additional light to help tell the story.
Peter Dopchev shows us the moment when a competitor realizes it is all over for him this season. A small pool of light and a cinematic approach to using the shadows adds a bit of mystery to this understated portrait.
Russel Harrison reveals the moment when finally alone and away from the crowds, an athlete reflects back on the loss. Strong emotions from the subject and a sense of understatement makes a powerful portrait. A single speedlight, tightly wrapped in plastic to stay dry, is fired from the back of the shower and diffused with additional plastic material.
Project 52 Pros is one of the most fun and important things I have ever done. To see this quality of work coming out of the group is simply stunning.
Thanks to all the P52 members for keeping it real.
Project 52 Member Kyle Jones shot the rodeo in Reno recently. Kyle is a photographer of many interests and talents.
He is working on building a book and getting out in the Reno market by the first of the year. This fun shoot is one of the stories he is working on for his personal pages.
I love rodeos… this work makes me remember how much.
It’s June in Reno, Nevada. That means one thing, the Reno Rodeo is coming to town. This year (2013) marks the 94th year since its inception. Being from upstate New York, I hadn’t really experienced many rodeos in my life, but, since moving to Reno in August 2009, I’ve been fortunate enough to attend every one. This year marks my fourth straight Reno Rodeo.
A day spent at the rodeo is fun and exciting. I thought this would be the perfect venue to document for my Project52 Pros assignment. There are many areas to photograph; the rides along the midway, vendors who set up shop in the buildings, people walking around the food court, and of course the main attraction, the rodeo itself.
This is a very challenging assignment with varying light conditions throughout the event combined with the fast action of a bareback bronc ride or bull ride. The sun is still high in the sky at 7 p.m. when the rodeo begins, shadows and strong sunlight can wreak havoc on composition. However, it isn’t long before the summer sun is setting on the horizon when the next challenge presents itself, stadium lighting. Time to crank up the ISO setting!
This year we had seats directly across the arena from where the broncs and bulls come out of the gate. I would get my camera positioned on the cowboy that was up next and when the gate was pulled, fire off frames as fast as technology would permit. I try my best to put the focus point on the cowboy’s face or chest. My goal was to document the excitement and family fun that a rodeo brings to a community by mixing up exciting shots of cowboys and cowgirls in action with the master of ceremonies on his horse and other intermission entertainment taking place between rodeo events.
I really enjoyed covering this event. At future rodeos I plan to cover even more by taking the whole day to capture more ‘behind the scenes’ shots of the stockyards and stable workers. I’ve met many people who volunteer their time to the Reno Rodeo each year, so, I’m confident that with persistence and asking, this goal will come to fruition.
– Kyle D. Jones
Project 52 member, Mike Moore’s Project.
I live in Encinitas California. It is a small but growing city 25 miles north of San Diego. Known for its legendary surf spots, Pipes, Swami’s and Stonesteps to name a few, Encinitas is often described as laid-back and funky.
For my project I chose to focus on Stonesteps Beach; in particular, the 27th Annual Stonesteps Longboard surf contest. Held on one Saturday in August, this neighborhood event brings old friends back together again and offers an opportunity to make new friends. The event is completely run by volunteers and neighbors. Local businesses donate prizes for the winners of the contest.
My vision was to show the contestants surfing and spectators mingling. Also, I wanted to capture details showing you the spirit of the event. A behind the scenes view that most people may not think about but, once they see the photographs, have an “ah-ha” moment.
Here is my view of the 27th Annual Stonesteps Longboard surf contest…enjoy the ride!
Tomas Jansson is a Project 52 PRO. This is his project shoot.
“With my pictures I have tried to capture a story, give an overview of the area, the people and of course the concert.
Every Thursday for eight weeks in the summer there are festivities in my hometown of Borås in Sweden. The city invites everyone to a concert and people of all ages are out on the town together. It is always crowded with a large stage in the town square. This time the local really talented and entertaining rock band State of Drama appeared. With a drummer who delivered really amazing drum solos.
I decided in March to document the first concert on 27th of June and this is my result.
I took about 300 pictures and picked out 15 that I really liked. So, I used about 5% of the pictures.”
– Tomas Jansson