Well this one is kind of fun. I found this in the archive box and remembered that it was a kinda fun little slide show. This “soundslide” offers a look into how I took a single lighting setup and shot it two ways.
I use a big softbox often when I am working with talent. Michelle is an ice skating choreographer and teacher. She needed some new shots and I wanted to do something a little different.
You can do the same thing with a large scrim and speedlights. Keep the fill cards in tight and watch the ratio between the lit and shadow parts of the face.
BTW, we have upgraded to WP 2.7 and man, is it cool. If you are running a WP Site and haven’t upgraded yet, you really should. It is, as they say, awesome.
But now let’s take a look at how a single setup can create two different shots can be made from the same light setup.
There are times when you want to create more contrast in an image… mitigate the reflections or make sure that the shadows are as deep as possible. These situations can occur with natural lighting, but in the studio you may have to add a bit more to the shot to insure the contrast is sufficient.
Everything reflects. That is something you will hear me say all the time. Whether at the workshop or working one on one with a photographer, one of the most important things to drive home is that everything reflects. Skin, silver, blue sweaters… they all reflect, but at obviously different qualities. (more…)
On a recent popular forum post, Los Angeles photographer Joshua Targownik posed a challenge. Faced with the following job he wanted to figure the best and fastest way to get the job done. He also wanted to get some killer lighting on the product to make it really pop.
1. Shoot 30 earrings (silver, gold, translucent and opaque stones).
2. Earring images must be on a pure white background.
3. Full earring must be visible, including ear hook/stud/etc.
4. Some earrings dangle, and must appear to be hanging.
5. No cast shadows on the background.
6. Avoid Photoshop (Lightroom is OK)
The thing about the corset was the glossy, shiny look. I wanted that shine to be smooth and liquid, a wide and smooth highlight that would set off the face of the model and the textures of the rest of the image.
I wanted a dramatic light on the face however, so using a large softbox was not the answer as that would mean that the face would be lit with that large, wide source as well.
Sometimes you need a simple, easy and quick way to create soft, pretty light for portraits – especially if there is a large group of portraits that are going to be presented in a similar fashion. Whether staff or employee photos, pageant and events, or simply a family individual set, this light is easy to create and can be recreated for a match at any time.