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	<title>Comments on: Strobe and Ambient: Finding the Mix for Portraiture</title>
	<atom:link href="http://www.lighting-essentials.com/strobe-and-ambient-finding-the-mix-for-portraiture/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.lighting-essentials.com/strobe-and-ambient-finding-the-mix-for-portraiture/</link>
	<description>Learn Photographic Lighting with Natural Light, Small Strobes, and Studio Flash Equipment</description>
	<lastBuildDate>Thu, 11 Mar 2010 01:01:00 +0000</lastBuildDate>
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		<item>
		<title>By: thor</title>
		<link>http://www.lighting-essentials.com/strobe-and-ambient-finding-the-mix-for-portraiture/comment-page-1/#comment-18033</link>
		<dc:creator>thor</dc:creator>
		<pubDate>Tue, 05 Jan 2010 21:11:39 +0000</pubDate>
		<guid isPermaLink="false">http://www.lighting-essentials.com/?p=1889#comment-18033</guid>
		<description>Thanks for pointing me to this post Don! It helped a ton! You rock!</description>
		<content:encoded><![CDATA[<p>Thanks for pointing me to this post Don! It helped a ton! You rock!</p>
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		<title>By: Daniel</title>
		<link>http://www.lighting-essentials.com/strobe-and-ambient-finding-the-mix-for-portraiture/comment-page-1/#comment-4815</link>
		<dc:creator>Daniel</dc:creator>
		<pubDate>Mon, 01 Jun 2009 21:56:19 +0000</pubDate>
		<guid isPermaLink="false">http://www.lighting-essentials.com/?p=1889#comment-4815</guid>
		<description>Thanks Don...
I was with you in Mexico, it was good to read this info again.  Great refresher.  I appreciate all you do... as always, thanks.</description>
		<content:encoded><![CDATA[<p>Thanks Don&#8230;<br />
I was with you in Mexico, it was good to read this info again.  Great refresher.  I appreciate all you do&#8230; as always, thanks.</p>
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		<title>By: wizwow</title>
		<link>http://www.lighting-essentials.com/strobe-and-ambient-finding-the-mix-for-portraiture/comment-page-1/#comment-4803</link>
		<dc:creator>wizwow</dc:creator>
		<pubDate>Mon, 01 Jun 2009 15:51:40 +0000</pubDate>
		<guid isPermaLink="false">http://www.lighting-essentials.com/?p=1889#comment-4803</guid>
		<description>I use the zoomed flashes a lot. These are not zoomed.</description>
		<content:encoded><![CDATA[<p>I use the zoomed flashes a lot. These are not zoomed.</p>
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		<title>By: Arcangelo</title>
		<link>http://www.lighting-essentials.com/strobe-and-ambient-finding-the-mix-for-portraiture/comment-page-1/#comment-4786</link>
		<dc:creator>Arcangelo</dc:creator>
		<pubDate>Mon, 01 Jun 2009 07:57:52 +0000</pubDate>
		<guid isPermaLink="false">http://www.lighting-essentials.com/?p=1889#comment-4786</guid>
		<description>Don as you set the zoom of the flash?</description>
		<content:encoded><![CDATA[<p>Don as you set the zoom of the flash?</p>
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	<item>
		<title>By: wizwow</title>
		<link>http://www.lighting-essentials.com/strobe-and-ambient-finding-the-mix-for-portraiture/comment-page-1/#comment-4759</link>
		<dc:creator>wizwow</dc:creator>
		<pubDate>Fri, 29 May 2009 21:14:25 +0000</pubDate>
		<guid isPermaLink="false">http://www.lighting-essentials.com/?p=1889#comment-4759</guid>
		<description>hey Dave.
Thanks.

As for sync speed, there really isn&#039;t anything to do about it for the most part. 
Which is why you never see those kinds of shots. 
Hassies and RB&#039;s will sync at 1/500, but that is pushing the limits for most lenses.

Help is on the way, though. Pocket Wizard has a new one that we shot at 1/2400 with an Elinchrome Ranger at half power. that thing was awesome. I know that CLS will do it as will the Canon SU system, but then the light isn&#039;t nearly as powerful so full length and larger shots are simply not possible at full daylight.

Radio Poppers I believe will work, but not with studio or large strobe systems.

Keep watching though, new stuff out all the time.

--don</description>
		<content:encoded><![CDATA[<p>hey Dave.<br />
Thanks.</p>
<p>As for sync speed, there really isn&#8217;t anything to do about it for the most part.<br />
Which is why you never see those kinds of shots.<br />
Hassies and RB&#8217;s will sync at 1/500, but that is pushing the limits for most lenses.</p>
<p>Help is on the way, though. Pocket Wizard has a new one that we shot at 1/2400 with an Elinchrome Ranger at half power. that thing was awesome. I know that CLS will do it as will the Canon SU system, but then the light isn&#8217;t nearly as powerful so full length and larger shots are simply not possible at full daylight.</p>
<p>Radio Poppers I believe will work, but not with studio or large strobe systems.</p>
<p>Keep watching though, new stuff out all the time.</p>
<p>&#8211;don</p>
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		<title>By: Dave L</title>
		<link>http://www.lighting-essentials.com/strobe-and-ambient-finding-the-mix-for-portraiture/comment-page-1/#comment-4756</link>
		<dc:creator>Dave L</dc:creator>
		<pubDate>Fri, 29 May 2009 13:01:43 +0000</pubDate>
		<guid isPermaLink="false">http://www.lighting-essentials.com/?p=1889#comment-4756</guid>
		<description>Great tutorial....very cool.

Question for you wizz, how do you deal with the old sync speed problem in bright sunlight? For example, what happens if you are shooting outside on a bright sunny day, you don&#039;t have shade and you want to use F2.8 and throw the background out of focus? I have heard of things such as Radio poppers which allow you to sync at higher speeds?

What are your thoughts?

Thanks

Dave
www.broadstonemedia.com</description>
		<content:encoded><![CDATA[<p>Great tutorial&#8230;.very cool.</p>
<p>Question for you wizz, how do you deal with the old sync speed problem in bright sunlight? For example, what happens if you are shooting outside on a bright sunny day, you don&#8217;t have shade and you want to use F2.8 and throw the background out of focus? I have heard of things such as Radio poppers which allow you to sync at higher speeds?</p>
<p>What are your thoughts?</p>
<p>Thanks</p>
<p>Dave<br />
<a href="http://www.broadstonemedia.com" rel="nofollow">http://www.broadstonemedia.com</a></p>
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		<title>By: wizwow</title>
		<link>http://www.lighting-essentials.com/strobe-and-ambient-finding-the-mix-for-portraiture/comment-page-1/#comment-4753</link>
		<dc:creator>wizwow</dc:creator>
		<pubDate>Thu, 28 May 2009 17:09:54 +0000</pubDate>
		<guid isPermaLink="false">http://www.lighting-essentials.com/?p=1889#comment-4753</guid>
		<description>I would have placed a small flag below and in front of the flash to block the light from the foreground. Keeping the flag close, that would have kept the light off the grass. Not much more Photoshop at all.</description>
		<content:encoded><![CDATA[<p>I would have placed a small flag below and in front of the flash to block the light from the foreground. Keeping the flag close, that would have kept the light off the grass. Not much more Photoshop at all.</p>
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		<title>By: mcruzn</title>
		<link>http://www.lighting-essentials.com/strobe-and-ambient-finding-the-mix-for-portraiture/comment-page-1/#comment-4752</link>
		<dc:creator>mcruzn</dc:creator>
		<pubDate>Thu, 28 May 2009 16:57:55 +0000</pubDate>
		<guid isPermaLink="false">http://www.lighting-essentials.com/?p=1889#comment-4752</guid>
		<description>Very informative.  Thanks.  I see what you mean about a flag on the sand bridge shot.  In your diagram, where would you have placed the flag in order to block the light in the foreground?    If you would have placed a flag to block the foreground, wouldn&#039;t the grass on either side of her still be well lit.  The final image looks fantastic, as if only she were lit by the flash.  Is this a photoshop trick or could this have been acheived with some other equipment?</description>
		<content:encoded><![CDATA[<p>Very informative.  Thanks.  I see what you mean about a flag on the sand bridge shot.  In your diagram, where would you have placed the flag in order to block the light in the foreground?    If you would have placed a flag to block the foreground, wouldn&#8217;t the grass on either side of her still be well lit.  The final image looks fantastic, as if only she were lit by the flash.  Is this a photoshop trick or could this have been acheived with some other equipment?</p>
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		<title>By: Gene</title>
		<link>http://www.lighting-essentials.com/strobe-and-ambient-finding-the-mix-for-portraiture/comment-page-1/#comment-4747</link>
		<dc:creator>Gene</dc:creator>
		<pubDate>Wed, 27 May 2009 17:01:37 +0000</pubDate>
		<guid isPermaLink="false">http://www.lighting-essentials.com/?p=1889#comment-4747</guid>
		<description>I know that top of the line cameras do not have a built in flash, but I was wondering if this flash could be used effectively to add some fill in order to reduce the contrast of the bare main flash off camera?</description>
		<content:encoded><![CDATA[<p>I know that top of the line cameras do not have a built in flash, but I was wondering if this flash could be used effectively to add some fill in order to reduce the contrast of the bare main flash off camera?</p>
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	<item>
		<title>By: wizwow</title>
		<link>http://www.lighting-essentials.com/strobe-and-ambient-finding-the-mix-for-portraiture/comment-page-1/#comment-4727</link>
		<dc:creator>wizwow</dc:creator>
		<pubDate>Tue, 26 May 2009 14:49:13 +0000</pubDate>
		<guid isPermaLink="false">http://www.lighting-essentials.com/?p=1889#comment-4727</guid>
		<description>Hi Squilky.
There is no change in the exposure settings at all. I have the ambient, then I add the strobe to fit the desired look. Match or Fill or Overpowering the sun. 

Once the settings are found for the ambient, adding the flash is as simple as distance / angle / power.</description>
		<content:encoded><![CDATA[<p>Hi Squilky.<br />
There is no change in the exposure settings at all. I have the ambient, then I add the strobe to fit the desired look. Match or Fill or Overpowering the sun. </p>
<p>Once the settings are found for the ambient, adding the flash is as simple as distance / angle / power.</p>
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