Muse in the Studio – A Brief â€œHow toâ€ Guide:(part two of two parts)
Okay, enough philosophy, letâ€™s make this simple. Here are a few things I â€œfeelâ€ when Iâ€™m modeling. Yes, â€œfeel.â€ I donâ€™t go and think about these steps when Iâ€™m modelingâ€¦ I just do them (and probably a lot more as a few photogs will attest. You know who you are and what Iâ€™ve done, haha.) To put it another way, you donâ€™t think about a dance classâ€¦ you daaaahhnce a dance class. So just use my thoughts/feelings to help find your own focus, whether youâ€™re a model/muse or a photog. In the end, your shoot will develop a feel and youâ€™ll just interact with one another. But sometimes one or the other will need a kick-start, and hereâ€™s how a model can kick-start her/his photog or even herself.
1) Vitality/Energy: itâ€™s infectious. The more energetic and vibrant you are, the more the other will respond. You canâ€™t help but getting hyped up for an event when others are already hyped.
2) Respect: for each other, other models, and mostly, for yourself. The creation of art, when the subject is live, involves a great deal of trust. Without respect, you wonâ€™t â€œfeelâ€ in the moment. And without trust, no respect is possible. Now, with a first time shoot with a photog, think of it like a date. You donâ€™t go all the way. Then again, I donâ€™t recommend any model go all the way. But you get the gist. Itâ€™s a metaphor. Regardless, with trust and respect a model will be able to stretch her range and the photog will follow.
3) Smile, dang it! Frown tooâ€¦ modeling is emotion. Use the whole range. Sometimes the photog wonâ€™t be feeling happy. So frowns may capture his mood and allow him to do something great. For instance, a writer doesnâ€™t go and write a great romantic and happy chapter after driving an hour in L.A. heavy traffic. No, she goes and writes the chapter about road rage. Got me? Be aware of how your photog is feeling. That too, means a photog should be aware of his or her modelâ€™s mood. Get it right and you could have the next top model on your hands.
4) Work with your surroundings: Model them (hahaâ€¦ be the cactus, eh, Don? haha!!) Natureâ€™s form is perfect. Well, I donâ€™t know about toads, but think Kung Fu Panda, Kung Fu was derived from animal forms. So why canâ€™t models emulate nature? Of course they can. Natureâ€™s got some cool forms, so emulate. Further, a reflection of environment will accentuate mood. Smiling on a cloudy day may work sometimes, but quiet introspection under stormy skies may work better. Which will allow some cool post-shoot changes as well, some as simple as just changing it to black and white. Remember also, that props help too. A chair doesnâ€™t just have to be used for sitting.
5) Comfort: Do only so much as youâ€™re comfortable withâ€¦ to do more will reflect in the picture. Miley Cyrus, anyone? Her obvious discomfort translated through the picture and lead to many defending her. (Thatâ€™s a type of art too, but for a future article.)
Inspiration can be found anywhere. But often it is found in a model. As such, a model can influence the creation and finished result of any picture. For the model is not static, like a rock, but can morph and mold to his or her surroundings. Her empathy for her surroundings adds vitality and energy to the work, and thus can reflect or contrast with any background or prop. Essentially, the more capable the muse the more there is for an artist with which to work. Even better, the model can kick-start her photog with just her smile. Just ask Da Vinci about what Mona did for his career and then youâ€™ll understand just what a model can do for a piece.
For Part One of this article.
Next in Model Behavior: Performance over Posingâ€¦