Model Behavior - Saturday, September 6, 2008 11:50 - 0 Comments
It’s Called Range: Part Two
NOTE: The Mexico Workshop and Houston workshops are just around the corner. If you are interested in attending one of these Two Day Workshops, take a look at the Workshop page. We have room in both workshops and they are going to be amazing. Briana will be going to the Mexico Workshop and will be working with the photographers there. Please don’t wait to signup for Mexico, there are only a few spots left. If you need help with getting down there, let me know. We can work something out for sure. Now, on with the Model Behavior article by Briana… Developing Range as a model.
Range Continued – A How to Guide:
Last article, we discussed how to expand a model’s range through 5 basic elements: Wardrobe; Roles; Makeup; Emotion; and Environment. This article continues with another six ideas. But please feel free to leave comments that include other ways you’ve found helpful.
Other Recent Articles
- September 08 Desktops from Lighting Essentials
- On Location: Anatomy of a Shoot (with Video)
- One model? No worries, it’s called Range! (Part One)
- One Speedlight: Some Examples
- Bermuda Workshop: August 2008… What’s Happenin’
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Most Popular Content
- On Location: Anatomy of a Shoot (with Video)
- Bermuda Workshop: August 2008... What's Happenin'
- September 08 Desktops from Lighting Essentials
- One Speedlight: Some Examples
- One model? No worries, it’s called Range! (Part One)
- It’s Called Range: Part Two
- September 08 Desktops from Lighting Essentials
- On Location: Anatomy of a Shoot (with Video)
- One model? No worries, it’s called Range! (Part One)
- One Speedlight: Some Examples
- Bermuda Workshop: August 2008… What’s Happenin’
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Natural Light - Jul 12, 2008 11:03 - 1 Comment
Using the Sun for A Hairlight: Some Variations
The sun is a wonderful light source as we all know. It provides hard, direct light, diffused light, bounce light… heck, it’s an allover lighting machine. There are many ways to use the sun for main light and fill, but today we are going to look at a few ways to use it for a hair light or rim light.
You can use it in a natural light situation and with big strobes, with bounce and with speedlights. It is a constant light source and so it can be carefully controlled. Yes, those cloudy days when it goes in and out can be a pain, but mostly it is pretty easy to manage.
More In Natural Light
- Using Lighting and Posing to Create the Effect You Want
- Natural Light Headshots: Keeping it Simple
- Manipulating Natural Light with Simple Tools
- Direct Sunlight Portraiture for Dramatic Effect
- Serendipitous Light
Studio Lighting - Jul 15, 2008 8:39 - 5 Comments
Using Opposing Lights to Sculpt the Subject
Using two powerful opposing lights can create a lot of drama in your images and make the subject “pop.” It is more than a main and a fill, it is a second light source that comes from the opposite side of your main light with as much or nearly as much power as your main light. This can cause some very interesting ’sculpting’ to happen where the two light sources meet.
It can also be a challenge to make that area where they meet as attractive as possible. Use the sculpting power of that second light to show lines, curves, texture, shape, and shadow to advantage. Controlling that second light is our focus.
We can use a hard light or a modified light source, but the goal is not to ‘fill’ the shadow side, but to create a whole new light source. Let’s take a look at a couple of examples that show how using two lights can really add some interest to a portrait or beauty shot.
More In Studio Lighting
- Shooting Food On Location - With a Twist
- The Rigorous World of Macro Beauty Shots
- Blending Strobe and Daylight for a Natural Look
- Subtractive Lighting: Creating Drama with Contrast
- Shooting Earrings Without a Net: Guest Post by Josh Targownik
Portable Lighting - Aug 27, 2008 8:55 - 5 Comments
On Location: Anatomy of a Shoot (with Video)
On location with speedlights, a model and a videographer. A warm, well, mostly warm December day and we are shooting in Tempe, Arizona. I will share the setups with you and also what I was thinking and working with here. Briana is the model, check out her Model Behavior column here. NOTE: this is part three of the speedlight series. Part one, Part two.
I will be using only speedlights and I am using them in many different ways: direct, feathered, bounced into umbrellas and shot through umbrellas. I love all kinds of light, and keeping it fast moving with the speedlights is also important to me. We wanted to get several shots on this day, and the light was moving pretty quickly.
Some of the images we are discussing in this post. Video at bottom of second page.
More In Portable Lighting
- One Speedlight: Some Examples
- “Make the Shot.” A Pool Player in a Rainstorm
- Using Your Small Strobes for Professional Results: Part One
- Speedlights: Unleash Their Creative Power: Introduction
- On Location with Small Strobes and a Model Who Can Fly?