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	<title>Comments on: In Praise of Natural Light: Examples and Discussion.</title>
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	<description>Ideas, Inspiration, Information and Discussions for Emerging Commercial Photographers</description>
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		<title>By: lighting led</title>
		<link>http://www.lighting-essentials.com/in-praise-of-natural-light-examples-and-discussion/comment-page-1/#comment-22656</link>
		<dc:creator>lighting led</dc:creator>
		<pubDate>Thu, 24 Nov 2011 10:02:46 +0000</pubDate>
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		<description>&lt;strong&gt;lighting led...&lt;/strong&gt;

[...]In Praise of Natural Light: Examples and Discussion. &#124; LIGHTING ESSENTIALS For Photographers[...]...</description>
		<content:encoded><![CDATA[<p><strong>lighting led&#8230;</strong></p>
<p>[...]In Praise of Natural Light: Examples and Discussion. | LIGHTING ESSENTIALS For Photographers[...]&#8230;</p>
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	<item>
		<title>By: Kevin</title>
		<link>http://www.lighting-essentials.com/in-praise-of-natural-light-examples-and-discussion/comment-page-1/#comment-22243</link>
		<dc:creator>Kevin</dc:creator>
		<pubDate>Thu, 28 Jul 2011 16:17:42 +0000</pubDate>
		<guid isPermaLink="false">http://www.lighting-essentials.com/?p=3367#comment-22243</guid>
		<description>One of the biggest lessons I have earned at this site, is that good light is good light. Light that is available from the sun, overhead lights or the strobes in your bag are all viable sources.</description>
		<content:encoded><![CDATA[<p>One of the biggest lessons I have earned at this site, is that good light is good light. Light that is available from the sun, overhead lights or the strobes in your bag are all viable sources.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Tagesgeldkonten</title>
		<link>http://www.lighting-essentials.com/in-praise-of-natural-light-examples-and-discussion/comment-page-1/#comment-21429</link>
		<dc:creator>Tagesgeldkonten</dc:creator>
		<pubDate>Fri, 05 Nov 2010 08:42:25 +0000</pubDate>
		<guid isPermaLink="false">http://www.lighting-essentials.com/?p=3367#comment-21429</guid>
		<description>Light is all for a photographer,no light no photo</description>
		<content:encoded><![CDATA[<p>Light is all for a photographer,no light no photo</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: John</title>
		<link>http://www.lighting-essentials.com/in-praise-of-natural-light-examples-and-discussion/comment-page-1/#comment-21275</link>
		<dc:creator>John</dc:creator>
		<pubDate>Tue, 12 Oct 2010 20:01:45 +0000</pubDate>
		<guid isPermaLink="false">http://www.lighting-essentials.com/?p=3367#comment-21275</guid>
		<description>Some lovely use of light here, nice work and inforamtive article</description>
		<content:encoded><![CDATA[<p>Some lovely use of light here, nice work and inforamtive article</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Krankenversicherung Vergleich</title>
		<link>http://www.lighting-essentials.com/in-praise-of-natural-light-examples-and-discussion/comment-page-1/#comment-20897</link>
		<dc:creator>Krankenversicherung Vergleich</dc:creator>
		<pubDate>Tue, 31 Aug 2010 13:00:38 +0000</pubDate>
		<guid isPermaLink="false">http://www.lighting-essentials.com/?p=3367#comment-20897</guid>
		<description>the valuable content you provided do help the  investigation for our group, appreaciate that.

- John</description>
		<content:encoded><![CDATA[<p>the valuable content you provided do help the  investigation for our group, appreaciate that.</p>
<p>- John</p>
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	</item>
	<item>
		<title>By: silpada jewelry catalog</title>
		<link>http://www.lighting-essentials.com/in-praise-of-natural-light-examples-and-discussion/comment-page-1/#comment-20839</link>
		<dc:creator>silpada jewelry catalog</dc:creator>
		<pubDate>Fri, 27 Aug 2010 04:23:55 +0000</pubDate>
		<guid isPermaLink="false">http://www.lighting-essentials.com/?p=3367#comment-20839</guid>
		<description>Simply, the information about In Praise of Natural Light: Examples and Discussion. &#124; LIGHTING ESSENTIALS For Photographers is truly the greatest on this worthwhile topic. I with your conclusions and will desperately look forward to your upcoming updates. Expressing thanks will not be sufficient, for the exceptional clarity in your writing. I will immediately grab your rss feed to stay informed of any updates. Pleasant work and much success!</description>
		<content:encoded><![CDATA[<p>Simply, the information about In Praise of Natural Light: Examples and Discussion. | LIGHTING ESSENTIALS For Photographers is truly the greatest on this worthwhile topic. I with your conclusions and will desperately look forward to your upcoming updates. Expressing thanks will not be sufficient, for the exceptional clarity in your writing. I will immediately grab your rss feed to stay informed of any updates. Pleasant work and much success!</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Cape Town Wedding Photographer</title>
		<link>http://www.lighting-essentials.com/in-praise-of-natural-light-examples-and-discussion/comment-page-1/#comment-20815</link>
		<dc:creator>Cape Town Wedding Photographer</dc:creator>
		<pubDate>Mon, 23 Aug 2010 18:10:29 +0000</pubDate>
		<guid isPermaLink="false">http://www.lighting-essentials.com/?p=3367#comment-20815</guid>
		<description>I almost never shoot with flash! A flash CAN&#039;T re-create the feeling of natural light...</description>
		<content:encoded><![CDATA[<p>I almost never shoot with flash! A flash CAN&#8217;T re-create the feeling of natural light&#8230;</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Best Fashion Info</title>
		<link>http://www.lighting-essentials.com/in-praise-of-natural-light-examples-and-discussion/comment-page-1/#comment-20189</link>
		<dc:creator>Best Fashion Info</dc:creator>
		<pubDate>Wed, 16 Jun 2010 20:14:03 +0000</pubDate>
		<guid isPermaLink="false">http://www.lighting-essentials.com/?p=3367#comment-20189</guid>
		<description>Sometimes I hazard that in upright a few life, a lot of us (not you, Don, you undergo exceed) are deed to be sensing at some of our lit-with-a-truckload-of-speedlights photos and doing a confusable sort of blow. Intelligent light can be a frustrating relation, but it careful is mythical when it&#039;s obedient.
lucy</description>
		<content:encoded><![CDATA[<p>Sometimes I hazard that in upright a few life, a lot of us (not you, Don, you undergo exceed) are deed to be sensing at some of our lit-with-a-truckload-of-speedlights photos and doing a confusable sort of blow. Intelligent light can be a frustrating relation, but it careful is mythical when it&#8217;s obedient.<br />
lucy</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Hellenparis</title>
		<link>http://www.lighting-essentials.com/in-praise-of-natural-light-examples-and-discussion/comment-page-1/#comment-20135</link>
		<dc:creator>Hellenparis</dc:creator>
		<pubDate>Mon, 07 Jun 2010 06:52:06 +0000</pubDate>
		<guid isPermaLink="false">http://www.lighting-essentials.com/?p=3367#comment-20135</guid>
		<description>Chuck Bass commonplace vital spark</description>
		<content:encoded><![CDATA[<p>Chuck Bass commonplace vital spark</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Bruce DeBoer</title>
		<link>http://www.lighting-essentials.com/in-praise-of-natural-light-examples-and-discussion/comment-page-1/#comment-20038</link>
		<dc:creator>Bruce DeBoer</dc:creator>
		<pubDate>Sat, 29 May 2010 19:09:13 +0000</pubDate>
		<guid isPermaLink="false">http://www.lighting-essentials.com/?p=3367#comment-20038</guid>
		<description>Merely my opinion but ...

Nearly all of the images on my website are natural light.  I spent the first 20+ years of my career lighting w/strobe in the studio and location. The last 10 has been a mix but I try hard to find light and work it well.  

There are a couple crucial reasons why I abandoned strobe as my &quot;go to&quot; source. 

1) it makes non professional subjects much more nervous.
2) In general, they simply don&#039;t recycle fast enough.

There are some models that will recycle nearly as fast as a slow &quot;motor drive&quot; (I realize this is a antiquated term) but only at a very low power setting and there is still reason #1 - give me the manufacturer who can match 5-7 frames / sec. and I&#039;ll take back this comment.

My second choice for lighting are a virtual tie with LED&#039;s and CFL&#039;s - either daylight or tungs balance (HMI for the big jobs).

The difference between a great shot and a good shot can be a fraction of a second: fleeting expressions and body positions, not to mention what is happening with ancillary subjects and ambient conditions.  Shoot more than one person and this rises on a logarithmic scale - true?

List the advantages that your digital camera has over your film version - not many right?  The BIG ones are speed &amp; quantity of consecutive frames.  Why then do you want to give up that advantage by using a cumbersome light?  If you don&#039;t have a really good reason (freezing a fast moving subject for example) then why use it?  My point: make sure you have a good reason before you give up what digital does well.</description>
		<content:encoded><![CDATA[<p>Merely my opinion but &#8230;</p>
<p>Nearly all of the images on my website are natural light.  I spent the first 20+ years of my career lighting w/strobe in the studio and location. The last 10 has been a mix but I try hard to find light and work it well.  </p>
<p>There are a couple crucial reasons why I abandoned strobe as my &#8220;go to&#8221; source. </p>
<p>1) it makes non professional subjects much more nervous.<br />
2) In general, they simply don&#8217;t recycle fast enough.</p>
<p>There are some models that will recycle nearly as fast as a slow &#8220;motor drive&#8221; (I realize this is a antiquated term) but only at a very low power setting and there is still reason #1 &#8211; give me the manufacturer who can match 5-7 frames / sec. and I&#8217;ll take back this comment.</p>
<p>My second choice for lighting are a virtual tie with LED&#8217;s and CFL&#8217;s &#8211; either daylight or tungs balance (HMI for the big jobs).</p>
<p>The difference between a great shot and a good shot can be a fraction of a second: fleeting expressions and body positions, not to mention what is happening with ancillary subjects and ambient conditions.  Shoot more than one person and this rises on a logarithmic scale &#8211; true?</p>
<p>List the advantages that your digital camera has over your film version &#8211; not many right?  The BIG ones are speed &amp; quantity of consecutive frames.  Why then do you want to give up that advantage by using a cumbersome light?  If you don&#8217;t have a really good reason (freezing a fast moving subject for example) then why use it?  My point: make sure you have a good reason before you give up what digital does well.</p>
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