See more of Don Fadel’s work at his website.
I wanted to side-light this artisan’s hands to highlight the texture both in her hands, as well as the fabric. She was making a set of custom gloves to honor my wife for her many years of service to living history re-enactments.
I did not have a lot of equipment with me; just my camera and a little quick thinking. As you can see by the picture of the dark hands, the sunlit side goes quite bright, and the shadows quickly go to almost black. I did not have a set of reflectors with me, but there was a white dish-towel sitting on the table next to me. I asked a young lady sitting nearby if she would be kind enough to hold the towel near the shadow side of the hands, and that brought the contrast back to a level I could appreciate. I varied the distance to taste, and the resulting picture is what you see presented here.
Available natural light and available tools.
See more of David’s work at his website.
ALL THE TUTORIALS DURING “SUMMER SCHOOL” ARE BY PROJECT 52 PRO MEMBERS EITHER CURRENTLY ENROLLED OR ALUMNI.
We all pile into a large, comfortable van and head off to Northern Arizona. Our first night is in Flagstaff, then off to the reservation lands of the Navajo, Vermillion Cliffs, Marble Canyon, Kaibab Plateau and more. We spend an afternoon and a morning in Zion National Park. We are up for dawn in Zion, watching the sun creep over the incredible formations of rock is simply amazing.
Then it is off to Bryce for an afternoon view of that incredible landscape. The next morning we watch the sun rise over Bryce… delicate lines of light and shadow are mesmerizing… and it is an event that will simply never be forgotten. Later that day we head to Page, Arizona for a trip to Upper Antelope Canyon with our own guide. The slot canyons are simply breathtaking and you will love being in them. We end that day photographically at Horseshoe Bend… a much photographed part of the Colorado River. Then for some wonderful Mexican food in Page.
Our final day finds us traveling through Navajo land to the East Entrance to the Grand Canyon. If you have never seen that part of the canyon it will be a highlight. We visit the south rim stopping at all the major overlooks, then into the lodge for ice cream and coffee. That night we travel back to Flagstaff for a good nights rest before heading back to Phoenix on Friday morning.
We arrive in Phoenix at approximately 2PM. We start on Sunday afternoon and back on Friday… this ain’t no ‘learn how to use your speedlights’ workshop.
John Thomas Banta had over 200 ties.
Most were bold, loud, occasionally whimsical and always hard-to-miss.
In short, they were very much like him. He dressed for occasions, often wearing his wildly interesting ties. And he lit up the room with his presence. He was a big man and could be intimidating at first… but only for a few moments. His generous warmth won over even his detractors. Everyone liked him.
I never met the man, but from what I know about him from a wonderful letter from his daughter, I would have liked him. A lot.
He was proud and giving, fair and honest, and deeply loved being someone who was thought of as a helper.
He went in to the hospital for a simple knee surgery, and didn’t leave. His body formed a clot, and it took this great man down.
One week later, a blood clot nearly took me down… but I did come back.
Yesterday I received a beautiful note from his daughter and a beautiful tie from his collection. It is bold, colorful and unapologetically wild. Susan Barta has sent his collection of ties to people who she thinks her dad would have wanted to have them.
I am on that list. And I received this tie.
And I will wear it with pride, sir.
I will indeed wear it with pride.
We have so many talented people in the Project 52 PRO group. Meet Rui Bandeira.
He shared this shot with my last night and I knew I had to share it with you all. Here is Rui:
I had 3 goals for this shot:
1) it had to be fresh and make the viewer desire to drink it
2) keep the bootle, the lable and the glass important
3) keep a traditional and rustic look
I made the image with a Canon 5DmKII and 100mm L MacroII
After deciding on the framing I wanted I started the shooting.
I knew I would do some compositing so I started by making the base shot. I would then build the rest of the shots i needed based on my drawn comp.
After the base shot I started doing the images needed for the comp.
I had to do a few images with a gold card for the interior of the bottle and glass, for doing this I hand moved the flash so I could get it pointing to the cards.
For doing the bottle images I removed the glass, and for the glass images I removed the bottle.
After having all the images, it was time to composit it all in Photoshop.
You can see a hi Res image here.”
Thanks Rui. Below are some shots Rui furnished for the shoot. See more of Rui’s work at his website.
Here is a GIF that shows the process.