“This Boring Old Photo…”

“In total, it took roughly two hours to get a single correct frame. I made every mistake you could make. I forgot to pull the dark slide out so I had at least one totally blank sheet of film. I forgot to dial the aperture back down after focusing so I significantly overexposed at least one shot. I would get the lines right and then get the focus wrong during the adjustments. I got more frustrated and more determined with every wasted sheet of (even then, really expensive) instant film.

I was on the second to last sheet in my box of film when I got the result you see above. It’s still not perfect, but, at the time, I was thrilled with what I got when I pulled the sheets apart. Not only did I see the (mostly) straight buildings, but I saw all the work I had just put into it. I saw a process that made me slow down and think about what I was doing. I saw all the things I still had to learn about photography and all the things I already knew.”

– STAN HORACZEK

Steve Pamp: Tintypes of Gravestones: Colorado Front Range

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Steve is a photographer in Colorado, and a Project 52 Alum. These photographs were taken during a summer project covering the Front Range of Colorado and the grave markers in the old cemeteries there. Steve chose to do these photographs on dry tin type, a very old process,

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See Steve’s full story, “Marble in Tin”. and a lot more photographs at Exposure.

Steve’s website.

More on the tin type process here.

 


“In The Frame” is my weekly dispatch covering lots of tips and interesting points of view for emerging photographers. Some articles end up on Lighting Essentials, and some of them are only for my newsletter subscribers. No Spam, and we never give names to anyone.