Fitness Model on Location with Hiram Chee

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I was aiming for a clean catalog feel.

We shot this image at high noon in a football field. I used an Einstein F13 in a Softlighter without the sock for fill. I also used a -3f stop ND filter on my 85mm F1.8 to get the blue sky and blurred background.

I was shooting at F5.6. 1/125, ISO 100.

For post processing, I processed the RAW file in Capture One to dial in color balance, contrast, exposure, clarity, structure and sharpness. I then uploaded the image to CS6, denoised with Nik Dfine, softened the skin in Imagenomic Portraiture, balanced contrast in Nik Color Fx Pro Contrast and pre-sharpened in Nik software.

Lately I have been importing my edited psd files into LR5 and exporting JPGs at the appropriate size.

BTS-field-Rose-web

See more of Hiram’s work at his website.SUMMER-SCHOOLALL THE TUTORIALS DURING “SUMMER SCHOOL” ARE BY PROJECT 52 PRO MEMBERS EITHER CURRENTLY ENROLLED OR ALUMNI.

“Photographing Pills” with Alicia Bonterre

Assign15-Alicia-Bonterre-Tue

The assignment was to photograph some pills and bottle for a drop in to another shot.

  1. Parameters for the shot? White background…..that’s it. My thought process for this shot was how can I make this even a little bit interesting
  2. What type of shadows do I want and
  3. What kind of specular/highlight do I want.

To this end I chose a brightly colored bottle and pills…more interesting than solid white pills.

I then used a softbox close to subject to soften shadows and a small strip light on a speedlight to give long specular highlights and help show shape of the pills.

bts

 

westcott strip

(I actually started with a Gary Fong diffuser instead but the specular was round and small and didn’t help show the shape. Below you can see how the highlights from a small, round light do not help the presentation of the pills.)

gary fong diffuser

A BTS of the Fong Lighting:

gary fong BTS

See more of Alicia’s work at her website.SUMMER-SCHOOLALL THE TUTORIALS DURING “SUMMER SCHOOL” ARE BY PROJECT 52 PRO MEMBERS EITHER CURRENTLY ENROLLED OR ALUMNI.

Available Light / Available Tools; with David Price

2014-P52-Week-16-David-Price-1-Hands

I wanted to side-light this artisan’s hands to highlight the texture both in her hands, as well as the fabric. She was making a set of custom gloves to honor my wife for her many years of service to living history re-enactments.

I did not have a lot of equipment with me; just my camera and a little quick thinking. As you can see by the picture of the dark hands, the sunlit side goes quite bright, and the shadows quickly go to almost black. I did not have a set of reflectors with me, but there was a white dish-towel sitting on the table next to me. I asked a young lady sitting nearby if she would be kind enough to hold the towel near the shadow side of the hands, and that brought the contrast back to a level I could appreciate. I varied the distance to taste, and the resulting picture is what you see presented here.

2014-P52-Week-16-David-Price-2-Dark-Hands

2014-P52-Week-16-David-Price-3-SETUP

Available natural light and available tools.

See more of David’s work at his website.

SUMMER-SCHOOLALL THE TUTORIALS DURING “SUMMER SCHOOL” ARE BY PROJECT 52 PRO MEMBERS EITHER CURRENTLY ENROLLED OR ALUMNI.

Cool Sneakers with Alicia Bonterre

Today’s class is from Alicia Bonterre, a photographer who makes her home in Trinidad.

This was the assignment:

Running Shoes are one of the staples of sports and fitness… and come in all colors and sizes.

Distance runners, joggers, sprinters, hobbyists and kids all have shoes designed for their specialties.

Our job is to shoot a pair of running shoes… And do it with some flair.

The brief:

We have to see the side of one of the shoes, and we must see the bottom of the shoe. Tread is important in running shoes, and it is darned hard to photograph.

This can be done as a studio shot indoors, or a ‘studio’ shot outdoors… in a controlled location environment.

Lighting:

Think soft ambient light with direction. Remember that it will take something a bit punchy to show us the tread of the shoe, as well. I would think sun/diffuser/mirror possibly?

You will have to be very aware of the shape of the shoe from the side… and how you decide to show the side and bottom are up to you, but you will most likely have to prop the shoes up with small cards or shims.

This picture was my inspiration and guide.  I wanted to see how close to replicating it I could get. 

inspiration pic

I used two strobes.

SUMMER-SCHOOLI crossed the light so one hits the left side of the shoe to show the texture of the bottom, I used barndoors and a honeycomb grid here to keep it hard and focused,  a softbox on the right was aimed in such a way as to skim across the side to show dimension and form.  Shot at f11 to be sure all is sharp and in focus. The weight and stick holding the shoe up were later removed in Photoshop and the green background light and swirls added.

sneaker bts tutitorial

Final Shot

sneaker 2 tutitorial

Visit Alicia Bonterre’s website.

Making a “Splashing” Apple with John McAllister

SUMMER SCHOOL, DAY ONE: JOHN MCALLISTER.

John shows how to create this stunning effect.

P52 Summer Assignment 26: “Wet” #3

You can download the raw files used to make this photograph here.

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For more from John McAllister, visit his blog.

SUMMER-SCHOOLALL THE TUTORIALS DURING “SUMMER SCHOOL” ARE BY PROJECT 52 PRO MEMBERS EITHER CURRENTLY ENROLLED OR ALUMNI.