Project 52 members sharing recent work.
“These four images come from a larger selection of images that I recently shot for The Cheese Lover’s Cookbook, so the common thread is, of course, cheese. The cookbook author made most of the food, and we worked together to style the shots—and sample the food. Bonus. I was grateful that Don had said over and over “Shoot to layout!” because I had the sense to ask for image size. Finding out the images were expected to fill an 8×9 page was extremely helpful—limiting, but helpful.
This set is probably not as personal as Don had expected for this final assignment, but I’m submitting them because they represent something important to me—my first paying commercial photography assignment. At the beginning of Project 52, Don had said he hoped everyone would get at least one paying commercial gig before the Project was over. I was pretty sure I was going to be the exception because I had so much more to learn than everybody else. Surprise! I got a gig. And it kicked my butt…but I learned a lot.”
Nicole Fernley Photography
“This project grew out of some recent discussions about drawing inspiration from anyone, anything, and everything around you. I admit, I drew a lot of inspiration for this idea from Irene Liebler’s series she did across last year of Common and Idiomatic Phrases – Feet To The Fire, Leaving The Nest, and so on. I thought that idea would be something I could do in my own style. I love her work, but I don’t see the world the way she does, and that’s a Good Thing™. I love that, having seen it week in and week out, we can all take the same subject and come up with completely different results.
I am doing this idea of taking old proverbs, common phrases, and idioms because it will lead to some interesting photographic possibilities, and be expandable far beyond a 5-10 shot series. I like this personal project for me, specifically, because those possibilities can extend through all of the artistic forms I enjoy working with, from portraits to still life, composites, and a whole lot of concept work. Heh, concept work: This was the area I really wanted to concentrate on for this last P52 project, as I see it as needing the most development in my own artistic growth going forward.
I hope you enjoy the series. I did!”
David Price Photography (Bay Area, CA)
Hiram Chee: Inspired by the work of Herb Ritts
Hiram Chee, one of the longest running members of Project 52, shares a post of portraits he did during the 8 Week Portrait Class.
Learning from the work of Herb Ritts, Peter Lindbergh and Sarah Moon
Check it out for some wonderful portrait work.
The year was 1913.
I absolutely love these images. From composition through framing and of course the patina, they are simply lovely.
“Mervyn O’Gorman was 42 when he took these pictures of his daughter, Christina O’Gorman at Lulworth Cove, in the English county of Dorset. He photographed Christina wearing a red swimming costume and red cloak, a colour particularly suited to the early color Autochrome process. “
Se more here:
TWENTY FOUR FRAMES IN MAY
Jorge Rodríguez Santos Photography
Last year the Project 52 folks were invited to a special project: shoot 24 frames of film in the month of May. The idea was to treat a single frame of film with the same deliberate attention we would give it if it were a sheet of 8×10. Carefully decide what you want in the frame, make an accurate exposure calculation and shoot the image. Not mad bursts or ‘shoot it till you get it” – the idea is to think enough about the image in your camera that you do indeed ‘get it’ with that single frame.
Not many rules, but a few guidelines:
- This is for film cameras only.
- Black and White or Color is fine, and there are no restrictions on the type of film you shoot.
- Polaroid is OK.
- 4×5 or sheet film cameras are OK.
- Tintype / alternate process is OK.
- Images must be on a contact sheet as well as individually presented (Use Photoshop’s excellent “Contact Sheet” tool if you have had your film scanned.)
- Only one roll of 35mm film (or the first 24 frames of a roll of 36)
- Two rolls + for 6×7 120/220.
- No more than three exposures taken on any single day, no more than two of any single subject.
- Images must be presented in order of exposure.
Uploading instructions will be posted on May 31. Upload from June 1 to June 15.
If you are planning on being involved, let us all know in the comments.
Submissions will include:
- Contact sheet
- Camera format / brand
- Lenses used
- Film type and name
- Lab used (with link please)
- 24 individual frames ready for web at 1000 pixels on the long side.
Here is a link to last year’s submissions. I am hoping for triple the involvement this year.
Considering an option for a contest… thinking more about it and will announce before May if you can choose to be in the optional contest.
Need a film camera? Here is a list of my favorite film cameras. Let me know if you think I missed any amazing cameras. (Yeah, I gotta ad the Olympus OM-1 soon…)