More Information on this page.
More Information on this page.
What if you created a magazine instead of a book? Told a story or two in the magazine, showed a subject in depth, then printed 10 copies for influential art directors in your town and offered all who came to the site a PDF?
(Blurb does magazines for as little as $10)
What if you wrote a novel and instead of describing the house where the family lived, you included a photograph of it. Not a photographic novel, but a novel that included photographs.
What if you made a diary of your travels, made small prints and pasted them on the pages and then scanned the pages into a book, and then wrote in the book with pen and marker? What if you made only twenty of those books?
What if you made a book of screen grabs from Lightroom thumbnails? Nothing but screen grabs of thumbnails on every page. Show the process.
What if you made ten big books at Graphi ($4000) and sold them for $1000 each? Collectors items – one offs – custom books. Art.
What if you made a book of every shot you did on a roadtrip? Just thumbnails, but every stinking shot.
What if you made a book, and included 6 small and numbered prints with each book? Hand signed, and in a limited edition.
What if you hooked up with an illustrator and a poet to create a hybrid book about the mythical beasts of Slot Canyons? Just askin’…
What if you worked with a band to create a story that was half images and half rock-opera? And what if you included the CD? And what if you included some of the score? An photographically illustrated rock opera with the music attached.
What if you hooked up with a MUA, three models, a stylist and some incredible wardrobe and shot a fantasy fashion story, then printed it as a small magazine or published it on ISSU?
Books are cool. Books can be amazing tools.
What are some of your ‘what ifs’?
I have been asked by Christopher Tierney to come out to Omaha for a workshop. I have not done workshops for a while, but I really like the midwest and look forward to spending some time there.
For more information, please click on the more link…
Michael Friberg and Benjamin Rasmussen find a fresh way to explore the conflict in the Middle East. Part reportage, part editorial, they create a powerful new way of communication on a contemporary problem.
“The way that we shoot for magazines, you try to photograph a subject in a way that people are going to think they are important enough to read that story,” Rasmussen explains. “We have a visual language that we use to communicate the fact that somebody is important. We wanted to take that language and use that on a group of people that no one was really paying attention to.” He points to the cover of “By the Olive Trees” as an example; in it a handsome, young man stands holding an olive branch. His clothes fit well, a fashionable shirt unbuttoned to the chest, and he holds the branch carefully, looking away, but his gaze is troubled. Friberg shot it in natural light, but the key to their approach was spending quality time with their subjects and letting the photographs become an extension of that, instead of simply following someone around taking pictures.”
“Cooking With Chili” is the name of the faux cookbook. The assignment was to shoot to the layout. The students did a magnificent job with this, and I want to share the work with you all.
You can see the layout, and it was provided as a layered PSD file to the students. They then shot the concept (brief) and put the image together in Photoshop.
We are now working on a book for the end of the year, and it will be amazing. I will post the book (free PDF or purchase hard copy at Blurb) here when it is ready. Believe me, it will be amazing!
Irene Liebler is a photographer/designer in Connecticut. She is also a Project 52 member and has developed quite a unique style.
This is a recent image for an assignment on P52, a “Cooking With Chilis” Cookbook Cover, shot to layout.
In this post, she walks you through how she did it, and the thought process that goes into this level of work.
She also has a book at Blurb that walks you through the processes she uses for making her unique and wonderful imagery. Pick up a copy of “The Man In The Red Jacket” to see the magic being made.