Matt Mahurin is a a multi-discipline artist who uses film, photography, and illustration to create a pallet of amazing work. (Wiki)
From American Photo Mag:
“When you commission a graphic from Matt Mahurin, you never know what you’re going to get. Which is the whole point. Skipping around his toolbox, Mahurin uses whichever media combination will help him create charged images to illustrate difficult stories. No wonder, then, that publications such as Time, Rolling Stone and Men’s Journal hire him to make visual sense of complex topics like Abu Ghraib or the Wall Street crisis.
But while his technique is top-notch, editors and art directors come to Mahurin, based in New York City, for something beyond Photoshop expertise. “They come to me for my point of view,” says Mahurin, who began working with Photoshop soon after its launch in 1990 and personally executes every stage of his photo illustrations. “I walk the line of having an emotional take while working with the point of view of the article.”
Illustrator of the Week: Matt Mahurin
“Matt Mahurin is an illustrator, photographer and film director. He often uses images of himself as reference for his digitally-manipulated photo-illustrations, once posing as Sigmund Freud for a Time magazine cover. Mahurin is also well-known for a darkened image of OJ Simpson on the cover of Time, based on Simpson’s mugshot at the time of his arrest, which raised some controversy when it appeared next to the unaltered mug shot on the cover of Newsweek on the magazine racks.”
“Judd Apatow & Matt Mahurin join Mark Seliger to talk about photographing tragedy, finding humanity with comedy, and meeting their heroes. From Tom Waits to Seth Rogen and Steve Martin to Henri Cartier-Bresson, they share stories of collaborating throughout their careers.”
Photographers you should know is an ongoing weekly feature. You can find more by using the category link to the right of this article.
Nadav Kander shoots a lot of different subjects and I think he does them extremely well. I love his classic approach to composition, and the understated approach he uses to lighting and presentation. His imagery is clean, uncluttered and created with deliberation and attention to detail.
Nadav Kander (born 1961) is a London-based photographer, artist and director, known for his portraiture and landscapes. His work is included in the collections of the National Portrait Gallery, the Victoria and Albert Museum and other galleries and museums.
Nadav Kander: Radioactive ruins of secret Soviet towns: a fantastic set of images of places we may never see.
From his Rep Agency in Europe: We Folk.
From Nadav Kander’s American Representatives: Stockland Martel
From Nadav Kander’s Website.
Yesterday I spent the morning wandering around an area north of Phoenix for a few hours. Joined by photographers Dennis Mong and Miachelle DePiano, we took a loop through a beautiful part of central / north Arizona.
I had no expectations other than hoping I could capture a few shots of the fall colors that seem to last but a moment each Autumn. We took the I17 North to Camp Verde, had breakfast while hoping the very gray skies would open up with some sun, but moved on toward Strawberry, AZ when that didn’t materialize. As we went up the mountain toward Strawberry, Pine, and Payson, the sun began peeking out just a bit. The resulting soft light was really pretty.
I used two cameras, with only two lenses. The drive wasn’t formally constructed to do that, but it ended up that I used a moderate wide and a telephoto for all the images.
Nikon Df, 35MM f2.0
Canon 6D, 200MM f2.8L
So I either chose a moderate wide or a tighter tele for all the shots I did, not once changing the lenses on the two cameras. That forced me to look for tight or compressed images or things that could be presented within a wider context.
I may do this again in a week or so… 28mm on the DF and 135MM on the 6D and look for shots that fit those two specific image views. Or not… LOL. I do not have any idea what I will do in a couple of weeks.
5 Photographs with the Nikon Df and the 35MM f2:
5 Photographs from the Canon 6D, 200MM f2.8L.
The assignment was to illustrate a double truck (2 page spread) magazine story on the Origins of Halloween. Layout was furnished as a layered PSD file and the P52 students had to shoot TO that layout – reversed copy and all. The assignment was a great example of how photographers can take a single topic and make something totally different than other photographers. (NOTE: a few of our photographers are from areas in the world that do not celebrate Halloween. They chose something more in tune with their regions.)
The first time I saw Aaron Jones work was in a Communication Arts Magazine a long time ago. At that time he was in Portland (I believe) and the work was so amazingly incredible I will never forget that moment. Those images must have resonated with a lot of other folks because soon afterwards, I started seeing his work in national magazines and some very high end advertising. Soon after, he moved from Portland to San Francisco.
Jones invented a lighting tool that provided a unique and very interesting look. Over time, he was able to turn that lighting tool into a product, “The Hosemaster”.
Here is a good article on how the Hosemaster works.
Essentially the Hosemaster was a very fancy tool for light painting.
In the early 90’s Jones moved to Santa Fe and built a studio there. He continued to work as a commercial photographer for many more years. I am not sure what Jones is doing today. If anyone one knows, let me know. Thanks.
I discovered Jeanloup Sieff while going through a bunch of black and white portfolios in a used book store in the early 80’s. Fell in instant love with his incredible monochromatic view of the world, and followed along as he gained more and more fame as a photographer with a huge, minimalistic style.
From his gallery:
Born in Paris to Polish parents Jeanloup Sieff (1933 – 2000) began shooting fashion photography in 1956 and joined the Magnum Agency in 1958, which enabled him to travel extensively. Settling in New York for much of the sixties he worked for Esquire, Harper’s Bazaar, Vogue and Elle, photographing celebrities such as Jane Birkin, Yves Saint-Laurent, Rudolf Nureyev and Alfred Hitchcock amongst others. Sieff won numerous prizes including the Prix Niepce, the Chevalier des Arts et Lettres in Paris in 1981 and the Grand Prix National de la Photographie in 1992, and his work is housed in many private and international collections.
Sieff is heralded as one of the great international photographic talents of the last half-century and has left an undeniable imprint on his generation. Prolific in many fields, the variety of his imagery highlights his broad artistry, ranging from fashion, nudes, landscape and portraiture.
With great tenacity, Sieff pursued a personal and highly effective signature style, soaked in playful imagination with a touch of irony. Seldom working in colour he favoured the discipline of black and white, often using to his advantage the spatial distortion of wide-angle lenses, the dramatic potential of shadow and exploitation of tone.
“I have always maintained that there is no such thing as art. There are only artists, producing things that give them pleasure, doing so under some compulsion, perhaps even finding the process painful, but deriving a masochistic joy from it!”, Jeanloup Sieff.
From another gallery that shows his work, the Bernhiemer Gallery.
“In the mid-1950s he worked as a freelance photojournalist and fashion photographer for Elle magazine, then in 1961 he went to New York, living and working there until 1966. After returning to Paris he photographed fashion, nudes, and portraits for numerous journals such as Vogue,Harper’s Bazaar, Paris Match, Glamour, Esquire, Look,Vogue, and Twen.”
A small gallery of Sieff’s images.
(All images are by Jeanloup Sieff)
Jeanloup Sieff Books on Amazon.