A Beautiful Promo

My bud Dave Siegel sent this to me. I think it is very powerful. Showing the before shot next to the final image makes the package more informational as well, and provides the viewer a glimpse into what Dave can do for them.

Email promotion.

siegel

Deconstructing a Portrait

I want to take a closer look at some of the portraits the students in the 8 Week Portrait Class are doing. Decontructing an image is a very valuable exercise and one that can garner much insight into the way the portrait was conceived and produced.

The image above, by Leonardo Ferri, is of a young woman at the rose gardens in Berkely, CA. Usually a place teeming with people and other photographers, and especially so, it was nearly deserted on this cold, overcast day.

Using the steps and the hedges as a grounding point for the image – a contextual pallete – he placed his subject in the middle of the steps and then moved a little to the side to bring the angles of the image slightly askew, and giving her a bit more of a dynamic position in the image.

Leonardo-Ferri-anootated

The placement of the subject is directed by the angles of the parts of the image. The placement of her face is in nearly a perfect spot.

Photographer Iryna Ischenko used the tall gates and cypress trees to frame her subject. I personally like this photo for so many reasons. The leading lines of the brick roadway, the brooding sky and those lovely, tall cypress trees. The subject seems to be moving through the gate, and her gaze is down. All other elements are focused upward while she gazes down. I think this makes the portrait quite intimate and hints at a narrative unknown.

Photographer Gabriel Alvarez worked with his wide angle lens (part of the assignment) to create this powerful, yet understated portrait. Simple elements for the subject to lean on, and a single light from a speedlight was the effect he wanted to use. Gabriel told us he really struggled a bit with the wide angle lens and used a cropped area of the frame to keep the wide angle distortion from being too much for the image. Since our inspiration this week was the great Jean Loup Sieff, I think Gabriel did very well.

The expression is a moment caught in time and we are not privvy to what is happening. The wardrobe, a little black dress, adds to the minimalistic setting. Everything is black or white. Carmen Blike, the photographer, used the V shape of the stone work as a base for her composition, then used the subjects legs as an inverted “V” above them. The light is a single diffused speedlight above the subject and blended to be just a bit brighter than the ambient.

This image, by Diana Lundin uses the geometry of the setting to drive the eye toward her subject. It also seems to isolate her, while making her the obvious hero of the shot. All lines lead to the subject here, and instead of appearing overwhelmed by the huge architecture around her, the pose makes her seem confident and in total control of her environment.

Linda Luu Kieff used a graphical shaft of light coming in from the window on right to highlight the face of this nude portrait. The angles of the light bring our eyes to the face and the textures of the environment help the subject stand out. The smooth skin of the subject is in full contrast to the dark, rough material of the lounge and the patterned background. Working in the dark tones like this can be very tricky, but Linda handled the exposure very well. The image has a feeling of film to me, although it was shot digitally.

One more from the set by Linda Luu Kieff. This nude shows a different angle and how Kieff worked with the window light, and the bars/panes of the window to play the light across her subject. This play of light, and the anonymity of our subject prove to be a narrative that begs explanation. None is forthcoming. The gentle tones of the image are very film like, and keep the viewer intrigued by carefully retaining the shadow details to play off of the skin of the subject. Ballet shoes add to the story, although we don’t know why.

Annely Silferwax used two softboxes from either side for this nude portrait. Camera right is turned up a stop and a half over camera left, and provides the impetus for our subject to be looking off toward it. The dynamic position in the subject with the careful placement of the cloth makes this a very powerful image… one the subject seems ready to leap from. Annely used a very contrasty post-processing to be reminiscent of high-speed film when pushed. The subjects regal expression, and subtle dynamics provide a stunning image.

Photographer Frederic Reblewski used the stripes on the jacket as a compositional element. Notice the painting (hung on seamless paper) that mimics the lines and colors of the jacket. A large single light source gave him the look he was desiring, and a natural feel to the portrait.

With the subject leaning way into the photograph, and into the light from the bay window, Photographer Duane Middlebrook used line and texture to set his subject off from the background. I love that bright outside contrasted with the dark patina of the inside walls. The pensive look of the subject makes the portrait more intimate and personal.

In the wilds of the mountains, and on an overcast day, photographer Marjorie Decker caught this portrait of a fellow hiker and companion at a moment of rest. The gentle light and shallow depth of field help the portrait keep a more personal feel.

An intimate, spontaneous feel to this portrait is due to the careful use of props and background. A single speedlight is aimed from camera left, and it is flagged off to provide the raking light on the flowing background behind the subject. The simple wardrobe and sparse table setting give the image a bit of mystery. Photograph by Richard McDonald

The image on the right by Sherrie Von Sternberg is whimsical, playful, and quite a candid moment. The use of overexposure, and the shadow line, as well as the brave and dynamic crop, makes the portrait quite evocative. I like it.

Shooting a CD Cover: Front and Back (Project 52)

Shooting a CD Cover: Front and Back (Project 52)

This past week we have been reviewing the CD cover assignment for the Project 52 2015 group. The assignment was for a cover and back image for a String Quartet performing Samuel Barber’s String Quartet Op 11.

The assignment specifically noted that the string quartet members may not be available for the shoot, so a creative solution must be found. (I don’t give assignments that are impossible… and finding a string quartet to photograph may not be totally impossible, but damn close for many of us.)

When shooting a CD cover there are three main ways of approaching the image.

For pop music it is usually going to be a photograph of the artist. Rare are the covers that do not have the artist shown. The cult of personality, and celebrity demands that we keep the faces of the performers in the fore. In many cases, the celebrity is more important than the music anyway. See the covers below for Faith Hill.

faithhill

Another way is to show something that is reminiscent of the music, or an image that may be part of the title. Respighi’s “The Pines of Rome” cover could certainly have the pines of Rome featured:

respighi

And the third way is use art that is quite striking, but may not relate to the music but in the most obtuse of ways. This is usually done when there is no necessary correlation between the recorded music and a celebrity, or an album that is more about the music or genre of music than the actual performers.

windhamhill

Some labels like Windham Hill above was a full adopter of that approach to album design, and helped create the style as we know it today. Another company that also used art, although in many cases commissioned art, for their classical work was Nonesuch. Both of these legacies live in today’s music cover designs.

nonesuch

The CD cover is becoming less of a major label concern as streaming has taken its toll, but cover art will be around for a while longer and is very important for Indie bands and artists.

Here are a few of my favorites from the Assignment. Remember the cover is on the right side, back panel on left.

Continue on after the jump to see the class images.

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Exceptional Portraits (from the workshop)

Exceptional Portraits (from the workshop)

One of the most exciting and ultimately satisfying things I am doing is the 8 Week Workshop courses. We mostly focus on portraits, but are beginning to expand out with an upcoming Still Life Workshop as well. And more ideas are in the works.

This last week, we studied the work of Sara Moon. Moon is a fashion photographer best known for her intimate, nearly painterly like fashion imagery. And while most of the students do not seek a career in fashion, there is much to be learned from studying her work and being inspired by it.

I want to share with you a few of my favorites, as well as the entire classes work.

Cover image: Thomas Poehler

PLEASE SEE THE REST OF THE POST AFTER THE JUMP
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“Connected” – A Travel Photographers Visual Diary of the World and its People

“Connected” – A Travel Photographers Visual Diary of the World and its People

Matt Dutile is a young, emerging, and very talented people photographer who specializes in travel and lifestyle editorial. His newest project is a book of his more enigmatic imagery.

What started as a promotional piece, has grown into a larger, more robust publication of over 80 photographs. I had an opportunity to chat with him recently, and we discussed this new book project, his recent travels, and the many fascinating places he has visited in his quests. Shooting for magazines and clients worldwide, take a few minutes to listen to Matt discuss the world of travel photography, and his favorite subject – the people of the world.

Here is a link to the INDIEGOGO site where you can pick up a copy of this very unique and fascinating book. This is a collectors item, and only a few hundred people will ever have a copy.

See more of Matts work at his website: www.mattdutile.com

Here are the spreads we looked at in the video.

All images below by Matt Dutile, and are protected by copyright.

Madagascar1India2  Madagascar3 Mexico2 Morocco2 Peru1 Sicily2

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Two new classes are now enrolling for January:

8 Week Portrait Workshop 102

8 Week Still Life Workshop