Big Ambitions? Where Do We Start?

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I want to ride a bike across the country. I want to hike the Pacific Crest Trail.
I want to photograph the heartland… from an old Indian motorcycle… with a view camera.
I want to do a photo story on Ecuador and Peru and the percussionists of South America.
I want to be able to do the ‘Quick Step’ on the dance floor.

Big ambitions. Especially the dancing… LOL.

Where do we start? What is the first step?

We can all have big dreams and big plans, but the hardest thing we have to do is to break it down into the smaller chunks and then granularize it even more to a set of actions.

Do this.
Then this.
Then this.

We don’t set off one morning heading for a donut and a cup of coffee and figure, oh what the hell, let’s go ahead and walk all the way to the other side of the continent. Right?

Right?

Lately I have been thinking it is similar to building a body of work in photography. I am thinking that there needs to be as much planning in our work image wise as would be in an epic shoot of drummers in Peru.

And that planning should have the same structure as the planning of riding a bike across country. Where, when, contingency plans for snow and rain… life.

We have all ridden bikes before. I do it a lot these days. Grab the bike, head out the gate and think… where am I gonna go today. And it is usually within the neighborhood. My bike is not a road bike, it is a beach cruiser so it only has one speed… whatever I pedal.

So distance is measured by how much of a workout I am going to commit to, and what my time frame is.

Short little jaunts in the immediate neighborhood. Safe. No need for planning at even the granular scale. Ride away, turn around, ride home.

Photographically I have been doing the same thing. Safe, comfortable… out and back again imagery that works nicely and I enjoy.

Time to get uncomfortable again. To ride farther than I normally do.

Planning a photographic body of work, what I want to accomplish this year in images is a rather new endeavor for me. I have always been led by my instincts, the clients I had, and the fun of making images that I like.

Nothing wrong with that until it becomes less comfortable and less fun. And one looks back on a year of images and realizes there was no direction, no cohesiveness… no ‘body of work’ that can be discerned overall.

Glimmers of a direction, and some fine shots… but a disappointing year of work for me leads me to be more deliberate this year.

Deliberate… not sloppy, or crude, or slap-dashed, or semi-planned, or sorta-in-a-way… DELIBERATE.

This has been top of mind for me for the past six or seven weeks. I want to create images that are both deliberate in construction and as a collection – cohesive and tight and planned for reasons that can be articulated… even if just for me.

Where do I start? What comes next?

Identifying the problem was easy, and a bit painful… now it is time to set forth on the corrective path and the myriad roadblocks that usually hide in the mist are making themselves highly visible.

Old habits… die hard.

New habits are even harder to create when we are not certain how to proceed to begin with.

I have been planning a lot of new teaching materials, and teaching plans for this year. And not all are revolving around the technical aspects of photography. I am planning for some philosophical and artistic discussions, perhaps a workshop or meeting of the minds as well. That planning goes well for me… it is in my DNA to plan that sort of thing.

Now I find myself having to plan out my work as well. And I am struggling against forty years of discipline in a craft in order to break away and do something different… something without a different set of disciplines. Or at least a new set of challenges.

It is possibly one of the more challenging things I have done in a long time… well, I haven’t completely done it yet… still in the opening throes of it.

I know when I must start… today. Every day is today.

Every day is the opportunity for something new… now to find the courage to grab on to a corner of that fleeting opportunity and take it for a spin.

Just around the neighborhood… I can always turn around and go home. It’s safe.

And one day… I may just decide to keep on going.

I’ll keep you posted.

 

Talk About Your Awesome Opportunities… Holy Smokes THIS Rocks!

An “opportunity” for you to bust your ass, make some cool shots and then give them away to someone who will then get to use them for whatever the heck they want to for as long as they want to. Oh, and by the way you need to simply shut up about it.

sucks

 

And they are happy to tell you why the work you do sucks… they even have “Ten Reasons” that it does so.

LOL… togs… waddaya gonna do.

No, I won’t link them… they are already getting all the traffic they need.

Oh, and there is NO MENTION of money on this site either… so you get to work hard, submit, get told that your work sucks and if it doesn’t suck, they get to keep it and use it for anything they want without paying you for it.

Yeah, Photographers is smaurt peepuls.

Photographers Dump Film so They Can Emulate It Digitally… or, something…

“The company, founded back in March 2011, received the fifth largest Series A round Accel Partners has ever done; the investors are well known for the funds they granted a company called Facebook back when it was just starting up.

Besides the app itself, VSCO’s known for the preset packs it sells for Adobe Lightroom and Premiere; the filters that come with it emulate film with near-perfect accuracy, and a gift from the gods for people that prefer the look of film but can’t afford the gear.”

See More Here.