The Summer 2013 Project 52 Yearbook (Free Download)

p52 cover

Proud to announce the arrival of the Summer 2013 Project 52 Pro Yearbook. If you would like to purchase a hard copy, it is available at cost at Blurb.

If you would like to download a free screen resolution PDF, here ya go. Enjoy.

Summer PROS 2013 Yearbook (Free to download and distribute. Modification of this document is strictly forbidden)

(Cover photo by Tracy Sutherland)

If you would like another issue, the 2013 Project 52 Winter Yearbook is here. Also free for PDF.

Great Reads: November Books 2014

“A Road Through Shore Pine focuses on a series of 18 never-before-seen photographs by Robert Adams (born 1937), taken in Nehalem Bay State Park, Oregon, in the fall of 2013. Adams documents a contemplative journey, made first by automobile, then by foot, along an isolated, tree-bordered road to the sea. As presented through Adams’ 11 x 14-inch prints, the passage takes on the quality of metaphor, suggestive of life’s most meaningful journeys, especially its final ones. For this group of photographs, all of which were printed by Adams himself, the artist returned to the use of a medium-format camera, allowing the depiction of an intense amount of detail. Through experience gathered over more than four decades, Adams’ trees, especially the tips of their leaves, are etched with singular sensitivity to the subtleties and meanings of light.”

“The definitive monograph of American photographer Vivian Maier, exploring the full range and brilliance of her work and the mystery of her life, written and edited by noted photography curator and writer Marvin Heiferman and featuring 250 black-and-white images, color work, and other materials never seen before.”

“Mikhael Subotzky and Patrick Waterhouse worked at Ponte City, the iconic Johannesburg apartment building which is Africa’s tallest residential skyscraper, for more than six years. They photographed the residents and documented the building-every door, the view from every window, the image on every television screen. This remarkable body of images is presented here in counterpoint with an extensive archive of found material and historical documents. The visual story is integrated with a sustained sequence of essays and documentary texts. In the essays, some of South Africa’s leading scholars and writers explore Ponte City’s unique place in Johannesburg and in the imagination of its citizens. What emerges is a complex portrait of a place shaped by contending projections, a single, unavoidable building seen as refuge and monstrosity, dreamland and dystopia, a lightning rod for a society’s hopes and fears, and always a beacon to navigate by. This long-term project obtained the Discovery Award at Les Rencontres d’Arles in 2011.”

“Julie Blackmon has transfixed the contemporary art world with images of her children, nieces, nephews and friends (and their children). Following the success of the bestselling volume Domestic Variations (2009), Homegrown shows how Blackmon’s style has evolved, as she continues to capture the tensions between the harmony and disarray of everyday domestic life. Though her photographs continue to be undeniably contemporary, references to classic painting and portraiture can be detected: the influence of seventeenth-century Dutch painter Jan Steen mixes with more contemporary figures, such as Balthus, Edward Gorey, Tim Burton and Federico Fellini. Included in this new volume are 45 works made from 2009-2014, along with an introduction by renowned poet Billy Collins and an interview by the actress Reese Witherspoon.”

“Nadav Kander (born 1961) is a recipient of the renowned Prix Pictet and one of today’s most successful photographers. Upon learning of the existence of two “closed” cities on the border between Kazakhstan and Russia, he decided to visit them. For Dust he photographed the desolated landscapes of the Aral Sea and the restricted military zones of Priozersk and Kurtchatov, which did not appear on any map until well after the end of the Cold War. Long-distance missiles were secretly tested in Priozersk, and hundreds of atomic bombs were detonated in the so-called Polygon near Kurchatov, until the program ended in 1989. The bombs were exploded in a remote but still populated area, and covert studies were made of the effects of the radiation on the unsuspecting inhabitants. Kander describes how the ticking of the Geiger counter on his belt while he photographed served as a foil against the aesthetic allure of the ruins.”

“Find out how Alec Soth constructs his projects, why Trent Parke relies on old-fashioned Polaroids and hand-made books, and how forty-one other photographers experiment with new and old technologies, turn their photo-diaries into exhibitions, and attract audiences of millions via online platforms.

This book celebrates the creative processes of the modern photographic era, in which blogs and Instagram streams function alongside analog albums and contact sheets, and the traditional notebook takes the form of Polaroid studies, smartphone pictures, found photography, experimental image-making, and self-published photo-zines. Each photographer presents his or her sketchbook: several pages of images that convey his or her working methods and thought processes. These intimate, oneoff presentations are accompanied by engaging interviews that reveal how the simple act of pressing a shutter can capture and express a fully realized personal vision.”

“Throughout his prolific career as a photographer, Emmet Gowin has threaded together seemingly disparate subjects: his wife, Edith, and their extended family; American and European landscapes; aerial views of environmental devastation, brought together by his ongoing interest in issues of scale, the impact of the individual, and notions of belonging. This long-awaited survey pays tribute to Gowin’s remarkable career and his impact on the medium. Following his marriage to Edith Morris in 1964, Gowin began work on a series of images of his extended family that is now recognized as a touchstone of twentieth-century American photography. He photographed the children and the aging parents, and made intimate portraits of his wife, continuing a photographic tradition inherited from his mentor, Harry Callahan, with whom he studied in the 1960s. His focus broadened in the 1980s, when he began an exploration of landscape and aerial photography, most specifically in his documentation of Mount St. Helens and the American West”

Great Reads: October 2014 Releases

FullSizeRenderI don’t know very many photographers who do not have a large collection of photo books. Mine fills an entire double walled shelve system and is still growing.

I love books.  I love photographs.

Nothing better than to grab an old book, a cup of tea and peruse the imagery contained on pages that I turn. I like looking at photographs on screens, but I love looking at them on paper.

I think of them as gear for our brains.

So here are some new books on photography. Take a look and enjoy.

“Stephen Shore has had a significant influence on multiple generations of artists and photographers. Even for the youngest photographers working today, his work remains an ongoing and indisputable reference point. Stephen Shore: Survey includes over 250 images that span Shore’s impressive and productive career. The images range from 1969 to 2013, with series such as Early Works, Amarillo, New York City, American Surfaces and Uncommon Places, among others. Stephen Shore: Survey elucidates Shore’s contributions, as well as the historiographical interpretations of his work that have influenced photographic culture over the past four decades. The narrative of the catalogue is conceptualized around three particularly revealing aspects of Shore’s work, including his analysis of photographic and visual language, his topographical approach to the contemporary landscape and his significant use of color within a photographic context.”

“After World War II, the American road trip began appearing prominently in literature, music, movies and photography. As Stephen Shore has written, “Our country is made for long trips. Since the 1940s, the dream of the road trip, and the sense of possibility and freedom that it represents, has taken its own important place within our culture.” Many photographers purposefully embarked on journeys across the U.S. in order to create work, including Robert Frank, whose seminal road trip resulted in The Americans. However, he was preceded by Edward Weston, who traveled across the country taking pictures to illustrate Walt Whitman’s Leaves of Grass; Henri Cartier-Bresson, whose 1947 trip through the American South and into the West was published in the early 1950s in Harper’s Bazaar; and Ed Ruscha, whose road trips between Los Angeles and Oklahoma formed the basis of Twentysix Gasoline Stations.”

“At the end of the 1950s William Eggleston began to photograph around his home in Memphis using black-and-white 35mm film. Fascinated by the photography of Henri Cartier-Bresson, Eggleston declared at the time: “I couldn’t imagine doing anything more than making a perfect fake Cartier-Bresson.” Eventually Eggleston developed his own style which later shaped his seminal work in color-an original vision of the American everyday with its icons of banality: supermarkets, diners, service stations, automobiles and ghostly figures lost in space. From Black and White to Color includes some exceptional as-yet-unpublished photographs, and displays the evolution, ruptures and above all the radicalness of Eggleston’s work when he began photographing in color at the end of the 1960s. Here we discover similar obsessions and recurrent themes as present in his early black-and-white work including ceilings, food, and scenes of waiting, as well as Eggleston’s unconventional croppings-all definitive traits of the photographer who famously proclaimed, “I am at war with the obvious.”

“About Exiles, Cornell Capa once wrote, “Koudelka’s unsentimental, stark, brooding, intensely human imagery reflects his own spirit, the very essence of an exile who is at home wherever his wandering body finds haven in the night. ” In this newly revised and expanded edition of the 1988 classic, which includes ten new images and a new commentary with Robert Delpire, Koudelka’s work once more forms a powerful document of the spiritual and physical state of exile. The sense of private mystery that fills these photographs–mostly taken during Koudelka’s many years of wandering through Europe and Great Britain since leaving his native Czechoslovakia in 1968–speaks of passion and reserve, of his rage to see. Solitary, moving, deeply felt and strangely disturbing, the images in Exiles suggest alienation, disconnection and love. Exiles evokes some of the most compelling and troubling themes of the twentieth century, while resonating with equal force in this current moment of profound migrations and transience.”

“The Decisive Moment originally titled Images à la Sauvette-is one of the most famous books in the history of photography, assembling Cartier-Bresson’s best work from his early years. Published in 1952 by Simon and Schuster, New York, in collaboration with Editions Verve, Paris, it was lavishly embellished with a collage cover by Henri Matisse. The book and its images have since influenced generations of photographers. Its English title has defined the notion of the famous formal peak in which all elements in the photographic frame accumulate to form the perfect image. Paired with the artist’s humanist viewpoint, Cartier-Bresson’s photography has become part of the world’s collective memory. This new publication is a meticulous facsimile of the original book. It comes with an additional booklet containing an essay on the history of The Decisive Moment by Centre Pompidou curator Clément Chéroux.”

“In Partida, Robert Frank continues the journey through his archives, presenting us with a new series of images of friends, colleagues, interiors, of quiet still lives and snap shots of both ordinary and unexpected objects and situations. Frank’s visual diaries constitute an important part of both his later work and the ongoing art of the photo book.”

Michael Clark’s 2014 Summer Magazine

I love these photographers magazines.

summer_2014_smFrom Michael:

This issue includes an editorial about why there was no Spring 2014 Newsletter, a review of the SmallHD DP4-EVF external video monitor, an article my recent expedition in the Amazon with the CauseCentric Production crew for the documentary film Tribes on the Edge, an interview with Peter Dennen of Pedro + Jackie photo consultants, a book review of “The Rise of Superman,” an editorial entitled “Great Advice and Hard Truths,” and much more.”

Get your copy here and check out his great portfolio

My Newest Book Will Take Your Photography To The Next Level… or something

how-to

I have decided it was time for me to put it all out there… no holding back, no withholding of the secrets that I am privvy to. All of the stuff that other photographers wont tell you… I will. I am like a man on fire.

Without the burning pants and sickly smell of charred skin of course.

But otherwise… burning up, baby.

So here is a brain dump of EVERYTHING YOU NEED TO KNOW TO BE ABLE TO SHOOT GOOD.

Some of the topics I cover show you exactly WHY I am considered one of the foremost photography people south of Chandler Blvd and West of the Walmart.

Yeah… McNally ain’t gonna spill his guts like this.

Arias ain’t gonna spill his guts like this.

In fact, when bringing up guts and the spilling of them no one does it better than me. Once in college I drank an entire gallon of Boone’s Farm Strawberry something… GUTS SPILLED.

Epically.

I have no idea why I told you that, but then I have no idea why you are still reading this.

Chapters I will use to expose the ugly underbelly of photography and those secrets that only the ‘pros’ use to make gooder pictures than you do.

A sample of the kind of hard-hitting information that will spell success into the 6 figures and beyond.

1. Which ISO is best for Bokeh so creamy you can stand a fork in it.

2. Portfolio secrets I don’t even know, and I know a lot.

3. Things to say to Art Directors that make them feel all jelly and want to give you more money for the most stupid mundane shit you will ever shoot.

4. Sure, you gotta great camera… the joke is on you. Most pros shoot iPhones and Holgas.

5. You’ve heard of the “rule of thirds”? Bullshit… the “Rule of Pi Squared Rounded to the Closest Tenth” is what all the big guys use. Especially the Europeans who are all working here and doing killer work for big ad agencies without their green cards.

6. The 6 Secrets to finding a good Off Shore Bank for all the money you will be making after reading this book.

7. Ethical questions all photographers must face. (Gotcha… LOL, no photographers have ethics… that is just so stupid.)

There are like a lot more… and all of them are life changing, awesome and will give you that extra heads-up for getting the drop on your competition.

In fact if you have a lot of competition in your market, you will especially enjoy the section on “Staging an Accident” with ten tips even the biggest city Coroner will miss every time.

So send me money. Lots of money.

If you send me enough money I will send you the book.

If you don’t send me enough money, I wont send you the book – and don’t ask or whine about it, WUSS.

No returns / No refunds.

Get the heck outta here.

PROJECT 52 ANNUAL FOR 2013

ANNUAL-COVER

Is available at Blurb if you love the feel of good paper and a quality book.

We are also giving it out as a free PDF for all. Please feel free to share it with anyone you think would be interested.

All images are copyright the photographer, and there is contact information for each photographer included.

Big SHOUT OUT to all who were involved with Project 52 and to the current members… Thanks to all for being involved.

Download the Screen Res version here: PROJECT 52 ANNUAL 2013

PURCHASE IT AT BLURB (at cost).