“W magazine is renowned for its avant-garde fashion stories, those elaborate confections of magic and mystery that have inspired and captivated readers for more than two decades. This volume gathers 10 of the most remarkable stories, each in its entirety, along with never-before-seen outtakes. Each story was the centerpiece of the issue it appeared in, and together they ride the razor’s edge between outrageously provocative and enchanting, from the bizarre (Steven Klein’s “One for the Ages”) to the alien (Tim Walker’s “Planet Tilda”) and whimsical (Paolo Roversi’s “Carnevale”). These and other stories by Klein, Walker, and Roversi, as well as Steven Meisel, Mert Alas and Marcus Piggott, and Alex Prager, are featured. A special code inside the book provides access to short films shot on the sets of the featured stories by Meisel, Walker, Klein, and Prager.”
Awesome book if you like new fashion photography.
“How can a photographer of internationally known stars create iconic portraits that linger in the memory–especially since these actors have already been photographed and filmed millions of times? Vincent Peters–who has been working since 1995 for magazines such as Vogue and GQ and fashion brands including Dior, Louis Vuitton, and Yves Saint Laurent–relies entirely on the classic art of portrait photography for his pictures. Focusing on small gestures and subtle productions instead of prominent poses, he ensures that his subjects do not disappear into the backdrop and that their faces are the focal point. Emma Watson’s features are lent a tragic note with white makeup. Annie Lennox appears like a stern missionary in a suit and fedora. Photographs of stars such as David Beckham and Christian Bale are markedly masculine. Even more intimate are the images that Peters has taken in private surroundings, like when he accompanied Monica Bellucci during her second pregnancy. His sophisticated lighting has the most impact in his black-and-white photos, bestowing them with a breathtaking cinematic quality.”
Cinematic lighting, classic style of the 40′ – 50’s given new life with Vincent’s contemporary approach. I was not all that familiar with is work, and the book is expensive – but worth every nickel. Wow.
“Moss’s magic has been captured by the world’s leading photographers, and this volume spans the entirety of her unparalleled career, from model to fashion designer, and muse to icon. Told through images that Moss has personally selected, KATE shows the influence of her collaborations with top photographers and artists over the last two decades, and clearly demonstrates why her career has had, and continues to have, such incredible longevity.
Photography by Arthur Elgort, Corinne Day, Craig McDean, David Sims, Hedi Slimane, Inez & Vinoodh, Juergen Teller, Mario Sorrenti, Mario Testino, Mert & Marcus, Nick Knight, Patrick Demarchelier, Peter Lindbergh, Roxanne Lowit, Steven Klein, Terry Richardson and others”
You see that list of photographers there, right? And the incredible Ms Moss?
This one is so full of ideas and brilliant photography that it addles the brain. Simply astounding.
“This new collection of Peter Lindbergh’s photographs presents his work from the past ten years. The prolific fashion and portrait photographer is one of the leading commercial artists of our day. His special subject are women.”
Because Peter Lindbergh… duh. If you are not familiar with Peter’s work, and love fashion/beauty… well, you need this book.
“Stephen Shore has had a significant influence on multiple generations of artists and photographers. Even for the youngest photographers working today, his work remains an ongoing and indisputable reference point. Stephen Shore: Survey includes over 250 images that span Shore’s impressive and productive career. The images range from 1969 to 2013, with series such as Early Works, Amarillo, New York City, American Surfaces and Uncommon Places, among others. Stephen Shore: Survey elucidates Shore’s contributions, as well as the historiographical interpretations of his work that have influenced photographic culture over the past four decades. The narrative of the catalogue is conceptualized around three particularly revealing aspects of Shore’s work, including his analysis of photographic and visual language, his topographical approach to the contemporary landscape and his significant use of color within a photographic context.”
Stephen Shore is an enigma to me. I both love and dislike his work… for sometimes the very same reason. He will challenge your beliefs in what makes a photograph as well as show you ways you have never thought about. Not an instant attraction, Shore takes a bit of time to digest. This is, in my opinion, some of his best photography.
An older book, and still available at a decent price. I loved this approach, and look forward to hopefully seeing another book on a select group of women by legendary photographer Peter Lindbergh (who we are studying next week for the 8 Week Portrait Class (see workshops tab).
Yeah… I done spent all my Christmas money. But then I love books, and books full of photographs… how can you beat that?