Studio Lighting
Studio Lighting - Thursday, June 11, 2009 6:36 - 5 Comments
Still Life Shot for an Magazine Ad
Well, my Volleyball client needed a new ad. That’s great. We needed it to be concepted, shot, and produced in one day. A day that had me doing other things as well. Stressful? A little, but I have been at this game long enough to know that it will get done. It always does.
Concept was easy. The software they design for Volleyball coaches currently runs on Palms and handheld devices. A lot of coaches are wanting it to run on a laptop as they are starting to carry laptops to the games for other things and it would be nice to only have one device courtside. Announcing the availability of a PC based software for laptops is the overall message of the ad. It wasn’t meant to overshadow the total message of the two available software packages, but to let those who are currently using the older software that a new tool was now ready.
We always strive to be a little different. Most of the ads that are in the trades are either big time products like Adidas and Nike or small, mom and pop solutions for a niche of court volleyball. I want my ads to look as good as they can and also stand out. Shots of volleyball players taken under less than ideal lighting abounds. We have been going for the still life approach since we started working together in 2002. The ads stand out. They get noticed and the client gets inquiries and sales. Score!
This ad will be running in several trades, but the first deadline was “Volleyball Magazine” for the August edition, I believe. Court Volleyball closely follows the school schedules. The printing is pretty good in that magazine so I can push the gamma a little.
Before we dissect the shot, I want to remind you all of the Missoula, El Paso and Memphis workshops. We still have a few openings and it would be nice to have you there. We are doing a special 1 day intensive workshop on the NIKON CLS system with John Groseclose in August. It will involve studio and location work with single and multiple Nikon strobes. Both manual and iTTL will be covered. Look for more information soon.
Here are a few related articles you may enjoy after reading this post:
Adding some Texture to an image.
Another shot with post production for the same client.
Finding the right mix for blending ambient and strobe.
Shooting Food on Location
Thanks for visiting and tell your friends about the site. And now for the soup-to-nuts shoot of this ad.
- Creating an Ad From Layout: Shooting for Print
- Keeping It Organized When There are a Lot of Shots
- Two Portraits with One Light
- Creating a Simple Spray Light for Backgrounds
- One Setup, Two Different Shots (from the Archives)
- Let’s Do Some Lighting Today… (from the Archives)
- Clamshell Lighting for a Glamourous Headshot
- Using a Single Softbox with a Shiny Card for Headshots
- First “Tech Sheet” and Assignment.
- Using Opposing Lights to Sculpt the Subject
- Shooting Food On Location – With a Twist
- The Rigorous World of Macro Beauty Shots
- Blending Strobe and Daylight for a Natural Look
- Subtractive Lighting: Creating Drama with Contrast
- Shooting Earrings Without a Net: Guest Post by Josh Targownik
- One Light Setup with Two Versions of the Light
- One Light Portrait with White Background
- Two Light Workshop One, Part Four
- Classic Setup for Photographing Jewelry










