Khemais Hajri chose a handful of golf balls for his subject, and he worked to get the lighting to capture his vision of a shot with texture and dimension. This is a well-propped studio shot, and features some great lighting. Note the specular on the front-left side of the golf balls, and the bright kicker light on the back side of them. The balls are showing their texture, roundness and color very well.
To get this light, Kam installed a large scrim with a softbox behind it. The scrim not only cut the light down (needed because it was still too bright at lowest setting) but also gave a wide, gradient light to the image. Note that the softbox is turned away from the scrim offering it more light toward camera and less away.
The addition of the small black foam boards helped cut the specular down on the golf balls and add a bit of contrast to them as well.
Plants and leaves were brought in to the set and an additional Elinchrom head was placed behind them. This light was modified with a beauty dish, and a gold reflector. and provided a very warm backlight to the set.
One last addition was the crumpled gold material to help add even more warmth. This material worked as a tiny fill light and can be seen on the shadow side of the fingers. Attention to detail is what makes studio still life work so much fun.