![]() |
|
One Light: When it is a beauty dish, it can be very dramatic. Here is a 'contact sheet' of the shoot. If you would like to host a Lighting Essentials
|
| Shooting Model Composites - The DVD |
| KS0001 |
Click here for more information.
The purpose of this DVD is to help photographers understand that high quality lighting can be done with inexpensive tools. Sure it's nice to have the latest and greatest, but all too often photographers think that it is the tools that give them the quality image and not their own talent. If you are starting your photographic career, adding people to your portfolio, or simply wanting to make better portraits of your friends and family, this DVD will help you get started immediately. If you own a digital camera, these techniques will boost your lighting quality and provide a solid platform on which to build your own set of lighting tricks and techniques. Click here for more information. 20 PHOTOSHOP Movies Love Photoshop? So do I. Here's a great little Photoshop DVD with over 20 tutorials from Mild to Wild. For more information click here.
|
A beauty dish is one of the most fun, and unique light modifiers for people shooters. It's very 'poppy' light, combined with a focused throw of light makes it ideal when you want to create a definite direction to the lighting. Most beauty dishes are metal parabolic with a very flat pan. The strobe is placed through the back of the pan and a small covering over the head keeps the brightness of the strobe from creating a hot spot. The movie is at the bottom of the left column.
The flat pan keeps the light more focused, and also lets the light
fall off quicker. This allows the photographer to really sculpt
the light, to create shadows on edges of the face that can really
bring out the features. The small dish in front of the light bounces that
main light back and into the larger pan. The light ends up being
both focused and diffused. In the shots of Cheyenne (Model Mayhem # 535094), I decided to not use any fill. Her beautiful, angular features were something I wanted to feature. I placed the beauty dish high over here and angled it down. this would cause dramatic shadows below the nose, eyelids, and chin. The quick fall-off was increased by not using fill cards for the sides of her face. I wanted as much drama as possible.
The beauty dish was placed on a boom to keep it over the camera
angle but without stands or any other things getting in the way of the shot.
Remember, the light is only about 2 - 2.5 feet from her and I am shooting
from much farther back. You can see the way the light falls off on the edge of Cheyenne's face. That small shadow tends to sculpt the face and give it dimension. The deep shadow under the chin is a result of the light being quite high over her. I wanted this deep dramatic effect. When I added the fan and moved a little to the right of the dish,
I noticed that the hair blowing back was going a bit dark. I
then added a fill card (small V-Card) to the camera right side
of the hair to open it up a bit. You can see the movie on the
left column near the top. You can see the shots
as they were taken here. |
All content copyright 2007 by Don Giannatti |