From Anna at the Porto Photography Experience:
“As photographers living in Porto, Portugal, we feel privileged: the UNESCO World Heritage area backdrops to shoot in, the kind of sights all photographers dream of; amazing food; great weather for most of the year; gorgeous models we love to work with – all of this at our fingertips.
Late last year, we had a lightbulb moment – why not share this with like-minded people?
After months of excited preparations (which you’ve probably read about in our monthly “Behind the Scenes”), we asked a group of sensational photographers whose work we have admired for years if they would like to join us to test our idea – much to our delight, they said yes!”
Read the whole thing… and start planning for the next Porto Photography Experience. I will be going next time for sure.
(IMAGE BY CARMEN BLIKE)
PHOTO BY NEAL RANTOUL FROM THE PORTFOLIO “WAVES”
“Look, the practice of making pictures used to be hugely craft based. You needed to study photography and the making of pictures hard to be good at it. It used to be difficult to do well. As a professor I seldom saw any student any good at it until they were a couple of years in. Now, the level is higher and proficiency comes without much work. I doubt most students two years into their degree can accurately tell you what ISO is, aperture and shutter speed settings, 18% gray, reciprocity failure, D-Max and so on. You can build the case, of course, that they don’t need to know those things. Put the camera on “P” and fire away.
My point? As photography becomes ubiquitous, as we are all photographers and even the most simple of cameras made today provides stunning results compared to a few years ago, photography is free to explore areas never approached before. That’s all good. But please give me less words and better pictures! I find the story, the text mostly boring and condescending, telling me how to look at the photographs rather than letting the photographs do the talking.”
“I don’t think using film per se makes someone stand out in a digital world,” he says. “That’s never been a motivation to me. It’s essentially a photographer’s understanding of his craft and sensibility and way of seeing that makes him stand out… And that certainly shouldn’t be bound by a format, or even a talking point in the conversation between the image and the viewer.”
— photographer Jamie Hanksworth in this fabulous column on the growing resurgence of film.
“Snapchat brings the reader into the story. Each viewer becomes a part of the assignment. They are my travel companions,” Stanmeyer tells TIME. “When millions of readers pick up the magazine each month, they only see 12 to 15 photographs. But so much more takes place while creating these deeply layered stories; moments of success, failure, problem-solving, excitement, boredom, hope, terrible hotels, to camping under the stars, eating tins of meat and instant noodles.” And, through Snapchat, National Geographic’s followers saw it all.”