From the Portrait Workshop: Inspired by Dan Winters

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Imitate. Assimilate. Innovate. — Clark Terry, jazz trumpet legend.

It is still the best way to learn art. And it drives the style of teaching I do. I don’t want anyone to copy anyone else, but rather to be inspired by the work of others. In the portrait class, we have looked at seven artists, all masters of portraiture in their own style. We have taken them apart to see how they work, and how they present that work to the world.

And then we get inspired to produce work that pays homage to the master, while hopefully forging our own style and essence into the image.

Dan Winters is a treasure for photographers wanting to learn what style is. His work has been featured the world over, and he has one of the most recognizable ‘styles’ in the business. The students spent two weeks pouring over his images, watching videos and generally discussing what makes the Winters image work so well.

And then they took what they learned and made an image… some images are direct homage, and others take what they learned and put it into their own voice. A voice that may be far from the inspirational, but also one that respects what came before.

I think the photographers did an outstanding job working with one of America’s most iconic shooters.

8 Week Workshop: Portraits Inspired by Herb Ritts.

The goal is not to copy, but be inspired by… Learning about a photographer like the remarkable Herb Ritts helps us to evaluate our own work, see it with new eyes and blend what we learn into our own mix. The photographers who study the past forge new paths into the future… not only for their own work, but for the art in general.

Congrats to these talented and very dedicated group of students.

A Few Words on that “Unphotoshopped Cindy Crawford Photo” Crap

A few days ago, this was making big news online… wow. Imagine Cindy Crawford having the guts to go public in a photograph that was un-retouched in Photoshop.

Yeah… wow. Big F’n Deal.

Of course she did that for two decades and more. You know that, right?

Of this I can speak firmly. We didn’t have Photoshop in the 40’s. 50’s. 60’s, 70’s, 80’s, 90’s. At the beginning of the 2000’s it was being used a bit more, until we arrive at today where the non-use of it seems to be big news.

Here is Cindy, circa 1980’s. NO Photoshop.

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(Christy Brinkley, 80’s) (Christy Turlington, 80’s) (Elle MacPherson, 80’s) (Tyra Banks, 80’s) – NO PHOTOSHOP


For people who have NO sense of history, how it all became. They gotta 5DMKIII and LIFE STARTS NOW.

Crap.

We will look at the insincerity of the photograph of Cindy in a moment, but first a history lesson.

We made the photographs using skills in lighting. LIGHTING. L I G H T I N G.
We had a cadre of amazing MakeUp Artists, Stylists, Lighting Assistants… all focused on making the image – perfect. Cause there was no ‘fixing’ them later.

Imagine that.

We made prints lovingly and by hand in dark, smelly rooms that perhaps robbed us of a few years of longevity.

Those prints were lovingly delivered to magazines where they were sent for halftone scans. (No, they did not have banks of ‘retouchers’ to ‘airbrush’ each editorial image. Anyone who tells you that was never there, and making that shit up. DIDN’T HAPPEN.)

We also shot this magic stuff called “Transparency” film… a ‘slide’ by another name. The image was what it was. If you blew exposure by a 1/3 stop, it was there for all the world to see in the transparency. If you missed focus you ended up with what we would technically call a ‘soft image’… no amount of work at the scanning houses was going to fix it. And many ‘soft’ images made it into print… because ART.

Find a few 80’s / 90’s Vogue, W, Italian Vogue (my favorite), Bazaar or other fashion magazines. Find a few early issues of People, Time, Life, Look, – hey – find a magazine printed before 2003 – ANYGDAM one. NO. PHOTOSHOP.

PHOTOGRAPHY done right by craftspeople and artists and damned skilled creators. Guess what we never said? “Fix it in Photoshop” – cause we. like, didn’t know what that meant in 1987.

So now someone wants you all to believe that PHOTOSHOP is the magic beans of photography.¬†Well, it isn’t.

Light is.

Which brings us to the current image of Cindy…

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… and why I call BS on it.

Light.

This shot of Crawford was LIT to show her “flaws”. It was PURPOSELY created to show texture and line and the signs of age. It is NOT simply un-retouched, it is, in fact, ENHANCED through the lighting.

If you brought a model who looked like this to any decent photographer, they could choose to mitigate with lighting (soft non-directional ambient, or large scrim, plenty of fill) or enhance with small, single light source MEANT to bring out any ‘imperfections’ the woman may have.

(NOTE: Before we get pulled into one of those lameass discussions of what ‘beauty’ is, let’s not go there. My belief is that Crawford was and will always be a stunning woman. Age is not a digression in her appeal. Beauty comes in all sizes, shapes, and ages. I stopped shooting fashion BECAUSE I grew weary of shooting 17 year old ‘babies’ who were meant to personify ‘all women’. This whole thing may be a cause-celeb for a lot of folks. I walked away from a solid business because of my beliefs. Beauty if NOT made in Photoshop… and all of my subjects are beautiful to me, no matter who and how old they are.)

However, this image is supposed to be a rally point for the “anti-photoshop” groups, and those for whom the cause of the moment is so awesomely cool, man, they just have to be, like, involved… #trending#badphotographsrockcausetrendingsaysso….

Is this a ‘bad’ photograph of Cindy Crawford. No, of course not. It is as perfect as the photographer CHOSE it to be. The photographer CHOSE a single lightsource with no fill to enhance every line/wrinkle/and skin anomaly that was possible.

But to champion it as a shot of Cindy being brave and shooting without Photoshop leaves that part of the equation, the most important part – LIGHTING – out.

So is the idea that Cindy is brave for not being Photoshopped? That’s no big deal. She has done that before.
Or is it that she ‘risks’ showing off some flaws of age? Well, she CHOSE that when she chose to be shot with this light… so shouldn’t it really be “Cindy Crawford shows us what a beautiful woman looks like with the passage of time”? Cause why would you light her like this and then Photoshop it… That would be stupid.

(Yes, I know… but I don’t want to go there… so stop it. Stop it now… heh)

Where do I fall on the Photoshop or No-Photoshop line. I use Pshop basically the way I used a darkroom. I strive to get it as right in the camera as I possibly can. It is in my photographic DNA, I suppose.

But I also don’t give a rats tushie what others do. I have no dog in this hunt, and usually find such discussions and ‘side taking’ utterly boring and useless.

So “Shop” away if you want. Or not.

But don’t peddle a prepared and purposely lit shot to show ‘flaws’ and expect me to believe that nothing else could be done but Photoshop. That is a lie… there is something we call…

Lighting.


Of course the disservice it does to the amazing photographers of that time… from David Bailey, to Watson, Elgort, Demarchelier, Lindbergh, Ritts, VonUnwerth, Roversi and more… just terrible.

We have an art form that doesn’t even acknowledge its past, but chooses to be led by people who do not have the best interests of photography at their hearts, but the quest for immediate fame and more “likes”… pathetic.

 

New Camera Announcements from Canon

Some amazing new cameras from Canon. I don’t get involved in new gear releases, but this stuff is starting to get exciting now.

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Canon D5

PRODUCT HIGHLIGHTS

  • 50.6MP Full-Frame CMOS Sensor
  • Dual DIGIC 6 Image Processors
  • 3.2″ 1,040K-Dot ClearView II LCD Monitor
  • Full HD 1080p Video Recording at 30 fps
  • 61-Point High Density Reticular AF
  • 150,000-Pixel RGB+IR Metering Sensor
  • ISO 100-6400; 5.0 fps Burst Shooting
  • Anti-Flicker Compensation
  • User-Selectable Shutter Release Time Lag
  • Dual Compact Flash and SD Media Slots

 

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11-24 EF Canon F4L

PRODUCT HIGHLIGHTS

  • EF Mount L-Series Lens/Full-Frame Format
  • Constant f/4 Maximum Aperture
  • Super UD, UD, and 4 Aspherical Elements
  • SWC, Air Sphere, and Fluorine Coatings
  • Ring-Type USM Autofocus Motor
  • Internal Focus; Full-Time Manual Focus
  • Weather-Resistant Design
  • Rounded 9-Blade Diaphragm

 

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Canon EOS Rebel T6i DSLR Camera with EF-S 18-135mm f/3.5-5.6 IS STM Lens

PRODUCT HIGHLIGHTS

  • 24.2MP APS-C CMOS Sensor
  • DIGIC 6 Image Processor
  • 3.0″ 1.04M-dot Vari-Angle Touchscreen
  • Full HD 1080p Video Recording
  • 19-Point All Cross-Type AF System
  • 5 fps Shooting & Extended ISO to 25600
  • Hybrid CMOS AF III & EOS Scene Analysis
  • Creative Filters
  • Built-In Wi-Fi Connectivity with NFC
  • CS100 Connect Station Support

PORTRAIT-BANNER

Going North – Taking a Photo Trek

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Every year I host a meet-up of Project 52 members. Part workshop, part social, full on fun. There is no fee for this, we share all expenses, so it is a very comfortable and relaxing time with the tribe.

This year we will also be doing a road trip to the north country. The itinerary is the same as this workshop that I planned last year. We have two 12-passenger vans, an aggressive plan, hotel rooms booked, and cameras ready.

Along the way we will be doing portraits, landscapes and still life. I hope to be able to post to the blog next week, and if I can it will probably be video. (I really need to do more video… so do you.) I will also hope that we can post some images from along the road. That week will be a mish-mash of posts, so bear with us as we try something new.

If you have ever taken a Lighting Essentials Workshop, or been a member of the Project 52 groups, you are welcome. I will post next years week when I get back. We will be going to Canyon Lands on that trip, as well as the Grand Canyon and Antelope Canyon. As I said, more to come.


PORTRAIT-BANNER