About wizwow

This is a place for photographers.

Hi, I'm wizwow - also known as Don Giannatti. Photography has been the focus of my life for most of my adult years. I have written three books for Amhearst Media (available on Amazon and Barnes & Noble: keyword 'don giannatti'. Lighting Essentials is my flagship blog and e-zine with a slightly different slant than most photography related sites. If you are interested in becoming a better photographer, check out Project 52 Pros.

Thanks for visiting.

Find more about me on:

Here are my most recent posts

6 New Books I Have Ordered


From Amazon:
“W magazine is renowned for its avant-garde fashion stories, those elaborate confections of magic and mystery that have inspired and captivated readers for more than two decades. This volume gathers 10 of the most remarkable stories, each in its entirety, along with never-before-seen outtakes. Each story was the centerpiece of the issue it appeared in, and together they ride the razor’s edge between outrageously provocative and enchanting, from the bizarre (Steven Klein’s “One for the Ages”) to the alien (Tim Walker’s “Planet Tilda”) and whimsical (Paolo Roversi’s “Carnevale”). These and other stories by Klein, Walker, and Roversi, as well as Steven Meisel, Mert Alas and Marcus Piggott, and Alex Prager, are featured. A special code inside the book provides access to short films shot on the sets of the featured stories by Meisel, Walker, Klein, and Prager.”

Awesome book if you like new fashion photography.


From Amazon:
“How can a photographer of internationally known stars create iconic portraits that linger in the memory–especially since these actors have already been photographed and filmed millions of times? Vincent Peters–who has been working since 1995 for magazines such as Vogue and GQ and fashion brands including Dior, Louis Vuitton, and Yves Saint Laurent–relies entirely on the classic art of portrait photography for his pictures. Focusing on small gestures and subtle productions instead of prominent poses, he ensures that his subjects do not disappear into the backdrop and that their faces are the focal point. Emma Watson’s features are lent a tragic note with white makeup. Annie Lennox appears like a stern missionary in a suit and fedora. Photographs of stars such as David Beckham and Christian Bale are markedly masculine. Even more intimate are the images that Peters has taken in private surroundings, like when he accompanied Monica Bellucci during her second pregnancy. His sophisticated lighting has the most impact in his black-and-white photos, bestowing them with a breathtaking cinematic quality.”

Cinematic lighting, classic style of the 40′ – 50’s given new life with Vincent’s contemporary approach. I was not all that familiar with is work, and the book is expensive – but worth every nickel. Wow.


From Amazon:
“Moss’s magic has been captured by the world’s leading photographers, and this volume spans the entirety of her unparalleled career, from model to fashion designer, and muse to icon. Told through images that Moss has personally selected, KATE shows the influence of her collaborations with top photographers and artists over the last two decades, and clearly demonstrates why her career has had, and continues to have, such incredible longevity.

Photography by Arthur Elgort, Corinne Day, Craig McDean, David Sims, Hedi Slimane, Inez & Vinoodh, Juergen Teller, Mario Sorrenti, Mario Testino, Mert & Marcus, Nick Knight, Patrick Demarchelier, Peter Lindbergh, Roxanne Lowit, Steven Klein, Terry Richardson and others”

You see that list of photographers there, right? And the incredible Ms Moss?
This one is so full of ideas and brilliant photography that it addles the brain. Simply astounding.


From Amazon:
“This new collection of Peter Lindbergh’s photographs presents his work from the past ten years. The prolific fashion and portrait photographer is one of the leading commercial artists of our day. His special subject are women.”

Because Peter Lindbergh… duh. If you are not familiar with Peter’s work, and love fashion/beauty… well, you need this book.


From Amazon:
“Stephen Shore has had a significant influence on multiple generations of artists and photographers. Even for the youngest photographers working today, his work remains an ongoing and indisputable reference point. Stephen Shore: Survey includes over 250 images that span Shore’s impressive and productive career. The images range from 1969 to 2013, with series such as Early Works, Amarillo, New York City, American Surfaces and Uncommon Places, among others. Stephen Shore: Survey elucidates Shore’s contributions, as well as the historiographical interpretations of his work that have influenced photographic culture over the past four decades. The narrative of the catalogue is conceptualized around three particularly revealing aspects of Shore’s work, including his analysis of photographic and visual language, his topographical approach to the contemporary landscape and his significant use of color within a photographic context.”

Stephen Shore is an enigma to me. I both love and dislike his work… for sometimes the very same reason. He will challenge your beliefs in what makes a photograph as well as show you ways you have never thought about. Not an instant attraction, Shore takes a bit of time to digest. This is, in my opinion, some of his best photography.


An older book, and still available at a decent price. I loved this approach, and look forward to hopefully seeing another book on a select group of women by legendary photographer Peter Lindbergh (who we are studying next week for the 8 Week Portrait Class (see workshops tab).

Yeah… I done spent all my Christmas money. But then I love books, and books full of photographs… how can you beat that?

A Simple Tool for Shooting To Layout

Shooting for the web has created some interesting configured imagery. From very wide and narrow images for banners to tall and skinny images for side bars, shooting to layout is as important as ever.

Here is a simple video for making a viewing tool that can help you when shooting for banners or whatever layout you may have.

Portraits Inspired by Victor Skrebneski

In the 8 week portrait class we looked at the work of famed Chicago photographer Victor Skrebneski. The students were asked to make a photograph inspired by what they saw in Skrebneski’s work. Not to copy it, but to be inspired by it.

Here are the remarkable expamples created by the students:

Photographers You Should Know: Jake Chessum

chessum-web

Jake Chessum is a portrait/celebrity photographer working in both editorial and advertising. I like his style and his approach to portraiture.


 

Jake Chessum Website.

Interview with A Photo Editor.

Jake Chessum’s Rep (Supervision)

Interview with Jake Chessum by Professional Photographer Magazine

“What Makes a Good Portrait” - Jake Chessum.

Jake Chessum Instagram

“The Daily Chessum” – photo a day.


Distraction, Discontent and Distruption (Part One)

abby-flying

Distractions, Discontent, and Disruption

The three “D’s” of the new daily discomforts. Wait, is that a fourth?

We are constantly being distracted from our work, made to feel discontent at every turn and facing disruption in our business like never before.

Distraction.?

Distraction comes from every side. From Facebook and email to the web and other forms of entertainment. It comes from politics and social events. It comes from the manufacturers of commercial culture who want us distracted and hooked on their latest gizmo/whachathingy.

And it is damned difficult to keep our heads down and do the work with all that clamoring for our attention. Go to this webinar and that web page – they have all the answers. Listen to this guru or that guru or some rockstar who has all the answers – they will help make it easier. All ya gotta do is pay attention.

To them.

We have learned that we ‘must’ spend hours a day on Facebook, ‘connecting’ with our fans and followers and possible clients. We have to ‘pin’ and blog and tweet and twerk.

OK, we don’t really have to twerk. Seriously.

But we can spend so much time on the other crap that nothing of real value gets done.

Camera companies compete for our attention by dribbling out shiny new cameras with cutting edge features that we of course MUST have now, because our competitors have it. And it is awesome – that guru guy said it was, and there is a webinar that shows how lame last months new camera is compared to yesterdays new camera.

And a big time internet photographer just “Pinned” it… so it must be awesome.

Discontent.

We become unhappy with what we have, and what we don’t have becomes even more of a sore spot. Even to an open wound.
“When I get the Nicanon Mark 9, DE7000 X, I will finally be able to create my vision.”
But that never happens because as soon as you get it, Sonlympus comes out with a “Nicanon Killer” and some “awesome” internet guru has just declared it the most awesomest camera since last March.

We can sink into the pits of despair, the fire swamps of sadness, and simply believe that without this new or shiny or awesome thingy, we simply cannot continue on.

The funk continues when we read about a new photographer making a lot of waves, and getting a ton of attention. “Brooklynneshannadale Smith, 13, is shooting the new Audi campaign for a gazillion dollars after taking the commercial photography world by storm when her captivating, slightly misogynistic iPhone images on Instagram caught the eye of Dorkus McStoopeed, a big time ad agency owner in Manhattan…” (We call that a PR stunt. Learn to see them for what they are.)

And we try to measure this new work to our own, and try to figure out what the commercial world is really wanting anyway? We start to complain about clients, and the industry, and the totally screwed way it is going and how it is ruining the business… yadda – yadda – yadda.

Too many begin living their creative lives between distraction and discontent. They post memes on Facebook about how no one wants to pay them for their work. They go on forums and discuss how stupid and screwed up clients are. They fall farther and farther away from the center of their own world.

Photography.?

And while they are focused on all this negative distraction and discontent, along comes good old “Disruption”. It is quiet and insidious and if we are not vigilant, it will catch us looking away and – bang – we are watching our business from the sidelines.

Disruption.?

Things change. It all changes. Some changes took a long time to occur, like continental drift. Others took a small amount of time to change… like the time my Tower records went all CD over night on a weekend. No more vinyl – overnight.

Photography has seen plenty of disruption before. The invention of the Brownie camera that allowed anyone to make a photograph. The addition of meters in cameras, faster ISO films, auto-focus, and digital are the highlights.

Now we are seeing disruption in the publication industry that is affecting the commercial photography business as well. Things are changing. Print magazines are flooded with promotions from thousands of photographers. There is a glut of shooters it seems.

But there are also more ways to find work. From web sites to web magazines, Kindle books to iBooks to eBooks, there are more and more ways to create images for publication. Kickstarter projects, self assigned projects, galleries and print sales.

Disruption can be bad for some, but it always opens doors for others.

Seven years ago there was no such thing as an App Developer. Disruption changed that, and tens of thousands of new jobs opened up where none existed before.

Ten years ago a photographer who wanted to do their own high quality coffee table book had to first find a publisher, then negotiate and get a lawyer and lots of crappola to just get to the point of getting it to print.

Today, a photographer can produce their own coffee table book and offer it for sale on Amazon – reaching millions and millions of people worldwide.
“Local” may not mean what it meant 20 years ago.

Solutions?

  • Maybe, but I am not going to offer you the tired old “get off Facebook” stuff you get everywhere, I will simply offer some ideas:
  • Self Assignments: Personal work is the key to keeping creative and moving forward. If you do not have a personal project, start one as soon as possible.
  • Create a schedule for your work. Follow that schedule. Call it your creativity plan or productivity mantra or whatever. Instead of being distracted by all the silliness all day, find a great time to go on, engage, have fun and then be done with it.
  • Find a disruptive agent and make some effort to understand it, what it means for your work and how you can use it to advantage. Instagram is a disruptor… what can you do with it to help your work get known and seen? Or is it not worth the effort for you?
  • Analyze the distractions you see around you. Are you sure the camera companies have your best interests at heart? Are you sure the gurus with millions of followers have your best interest at heart. (Some do, some don’t… look carefully and you can tell who does.)
  • Stop comparing your work to others. Period. Follow YOUR vision, follow YOUR style, follow YOUR path to image creation.
  • Become insulated against the distractions and discontent that is so pervasive on the internet and social media. Remember that most of those discontented, unhappy ‘photographers’ have not been in the trenches, they are simply spouting what they read other people say.

At the end of the day, you are your own advocate, your own critic, your own worst enemy.

And identifying the distractions, discontents, and disruptions around you is important for us all. Once identified, they are easier to leave behind, ignore or actively engage.