Gary Crabbe is a full time landscape and environmental shooter living in Central California. Recently, one of his blogposts caught my attention as it is something I am wondering about as well.
I just came back from Zion and Bryce Canyons and while there found myself staring at those “postcard, iconic” images of these places. My light was no where near as wonderful as some of the shots I had seen, but I nonetheless snapped off a few frames. I ‘got it’ – that shot of Inspiration Point, and the bridge over the river in Zion. Recognizable images, but not very spectacular.
“This month I was fortunate to spend a week traveling through Death Valley as the guest of some friends who were leading a photo workshop. We arrived at Zabriskie Point on the first morning, which is one of Death Valley’s prime photographic postcard locations. Zabriskie Point is a true icon, in that it has become one of the ‘must-have’ shots for photographers traveling through the park. It was somewhat disheartening for our small group to crest the hill only to find a large workshop with two dozen other photographers lined up on the hill below and in front of the paved viewpoint. Their presence in front of everyone else made it difficult for anyone who arrived later, or those with mobility issues who were limited to shooting from the paved viewpoint to enjoy or photograph the scene with any sense of unobstructed natural beauty.
A friend remarked to me this week that nature and landscape photography has become like a competitive sport. I found that to be both an incredibly appropriate and sad assessment when discussing those many “must have” icon shots. Seeing this group, who set themselves up to arrive early and get the best location in front of everyone else, seemed to epitomize that competitive urge to ‘get the shot’.”
A very lively discussion follows, and I wanted to chat with Gary about his opinions on the desire for so many to get that “iconic” shot.
David Giral is a photographer in Montreal, Canada. I met him a few years ago at a workshop near Toronto, and we have stayed in touch. He is a talented young man, for sure, but he is also tenaciously working on his business.
From leave-behinds, to websites, to email campaigns, David has one thing that drives him… success. He knows how important this phase of his business is, and brings 100% effort to everything he does.
Hector “Big Boy Drums” Cruz… I met him a few years ago on on of the Flickr forums we were both hanging out on. His sense of humor and humility was something that was refreshing.
He wanted to be a photographer, and was bound and determined to learn how. We bantered about stuff many times… and then we both sort of drifted away from that forum and on to other endeavors.
Recently I began seeing Hector’s work on Facebook and I was very excited to see how far he had come in a short time. While others are bitching and moaning Hector Cruz (“Big Boy Drums” were dropped a while ago, I am told… heh) is out there making photographs for clients all over the country.
He has recently moved to Nashville, and maintains a studio in Orange County as well.
I will let Hector share that with you in this interview. I had a blast chatting with him and I am making it a priority to sit down in person and have some Corona’s while chatting about photography and drums… my two favorite topics.
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